Dormition Cathedral or Assumption Cathedral used to be a mother church of medieval Russia in the 13th and 14th centuries. It is part of the World Heritage Site entitled White Monuments of Vladimir and Suzdal.
The cathedral was commissioned by Andrew the Pious in his capital Vladimir and dedicated to the Dormition of the Theotokos (Virgin Mary), whom he promoted as the patron saint of his lands. Originally erected in 1158-1160, the 6-pillared 5-domed cathedral was expanded in 1185-1189 to reflect the augmented prestige of Vladimir. Embracing the area of 1178 sq. meters, it remained the largest of Russian churches for the following 300 or 400 years.
Andrew the Pious, Vsevolod the Big Nest, and other rulers of Vladimir-Suzdal were interred in the crypt of this church. Unlike many other churches, the cathedral survived the great devastation and fire of Vladimir in 1239, when the Mongol hordes of Batu Khan took hold of the capital.
The exterior walls of the church are covered with elaborate carvings. The interior was painted in the 12th century and then repainted by the great Andrei Rublev and Daniil Chernyi in 1408. The Dormition Cathedral served as a model for Aristotele Fioravanti when he designed the eponymous cathedral in the Moscow Kremlin in 1475-1479. A lofty belltower, combining genuinely Russian, Gothic, and Neoclassical influences, was erected nearby in 1810.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.