The Golden Gate of Vladimir, constructed between 1158 and 1164, is the only preserved ancient Russian city gate. A museum inside focuses on the history of the Mongol invasion of Russia in the 13th century.
The Golden Gates existed in the holiest cities of Eastern Orthodoxy: Jerusalem, Constantinople, and Kiev. On making Vladimir his capital, Andrew the Pious aspired to emulate these structures, commissioning a lofty tower over the city's main gate to be erected in limestone and lined with golden plaques. According to ancient Russian chronicles, the masons were invited from Friedrich Barbarossa. The main arch used to stand 15 meters tall. The structure was topped with a barbican church dedicated to the Deposition of the Virgin's Robe and symbolizing the Theotokos's protection of Andrew's capital.
The gate survived the Mongol destruction of Vladimir in 1237. By the late 18th century, however, the structure had so deteriorated that Catherine the Great was afraid to pass through the arch for fear of its tumbling down. In 1779, she ordered detailed measurements and drawings of the monument to be executed. In 1795, after many discussions, the vaults and barbican church were demolished. Two flanking round towers were constructed in order to reinforce the structure, and artisans then reconstructed the barbican, following the drawings made in 1779.
References:The Roman Theatre of Mérida is a construction promoted by the consul Vipsanius Agrippa in the Roman city of Emerita Augusta, capital of Lusitania (current Mérida). It was constructed in the years 16 to 15 BCE. One of the most famous and visited landmarks in Spain, the Roman Theatre of Mérida is regarded as a Spanish cultural icon and was chosen as one of the 12 Treasures of Spain.
The theatre has undergone several renovations, notably at the end of the 1st century or early 2nd century CE (possibly during the reign of Emperor Trajan), when the current facade of the scaenae frons was erected, and another in the time of Constantine I (between 330 and 340), which introduced new decorative-architectural elements and a walkway around the monument. Following the theatre"s abandonment in Late Antiquity, it was slowly covered with earth, with only the upper tiers of seats (summa cavea) remaining visible.