The Golden Gate of Vladimir, constructed between 1158 and 1164, is the only preserved ancient Russian city gate. A museum inside focuses on the history of the Mongol invasion of Russia in the 13th century.
The Golden Gates existed in the holiest cities of Eastern Orthodoxy: Jerusalem, Constantinople, and Kiev. On making Vladimir his capital, Andrew the Pious aspired to emulate these structures, commissioning a lofty tower over the city's main gate to be erected in limestone and lined with golden plaques. According to ancient Russian chronicles, the masons were invited from Friedrich Barbarossa. The main arch used to stand 15 meters tall. The structure was topped with a barbican church dedicated to the Deposition of the Virgin's Robe and symbolizing the Theotokos's protection of Andrew's capital.
The gate survived the Mongol destruction of Vladimir in 1237. By the late 18th century, however, the structure had so deteriorated that Catherine the Great was afraid to pass through the arch for fear of its tumbling down. In 1779, she ordered detailed measurements and drawings of the monument to be executed. In 1795, after many discussions, the vaults and barbican church were demolished. Two flanking round towers were constructed in order to reinforce the structure, and artisans then reconstructed the barbican, following the drawings made in 1779.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.