Church of Boris and Gleb was built in 1152, on the orders of Prince Yuri Dolgoruky. It was probably part of the princely (wooden) palace complex, but was only used by Dolgorukii for a few years before he left to become Grand Prince of Kiev in 1155. The village, four kilometers east of Suzdal, was an important town before it was destroyed by the Mongols and declined in stature.
The church, built in limestone probably by architects from Galicia, is a four-piered, three-apse church. It is one of the oldest in the district and one of the few churches built by Dolgorukii that is still extant. It retains fragments of frescoes dating back to the twelfth century. In the medieval period it was the site of a monastery and was then a parish church. The building has been significantly altered over the centuries. It lost its original vaulting and dome (the current roof and small dome date to the 17th century) and the apses are thought to be half their original height (their tops too were lost with the roof); a porch was added in the 19th century.
The church is a part of a UNESCO World Heritage Site 'White Monuments of Vladimir and Suzdal' along with the seven other medieval monuments located in Vladimir and its surroundings, and belongs to the monuments of the Golden Ring of Russia.
The church, along with other structures built around it in later centuries - namely the St. Stephen's Church and bell-tower) appears on a three-ruble silver commemorative coin struck by the St. Petersburg Mint in 2002.References:
The Mosque–Cathedral of Córdoba, also known as the Great Mosque of Córdoba and the Mezquita is regarded as one of the most accomplished monuments of Moorish architecture.
According to a traditional account, a small Visigoth church, the Catholic Basilica of Saint Vincent of Lérins, originally stood on the site. In 784 Abd al-Rahman I ordered construction of the Great Mosque, which was considerably expanded by later Muslim rulers. The mosque underwent numerous subsequent changes: Abd al-Rahman II ordered a new minaret, while in 961 Al-Hakam II enlarged the building and enriched the Mihrab. The last of such reforms was carried out by Almanzor in 987. It was connected to the Caliph"s palace by a raised walkway, mosques within the palaces being the tradition for previous Islamic rulers – as well as Christian Kings who built their palaces adjacent to churches. The Mezquita reached its current dimensions in 987 with the completion of the outer naves and courtyard.
In 1236, Córdoba was conquered by King Ferdinand III of Castile, and the centre of the mosque was converted into a Catholic cathedral. Alfonso X oversaw the construction of the Villaviciosa Chapel and the Royal Chapel within the mosque. The kings who followed added further Christian features, such as King Henry II rebuilding the chapel in the 14th century. The minaret of the mosque was also converted to the bell tower of the cathedral. It was adorned with Santiago de Compostela"s captured cathedral bells. Following a windstorm in 1589, the former minaret was further reinforced by encasing it within a new structure.
The most significant alteration was the building of a Renaissance cathedral nave in the middle of the expansive structure. The insertion was constructed by permission of Charles V, king of Castile and Aragon. Artisans and architects continued to add to the existing structure until the late 18th century.
The building"s floor plan is seen to be parallel to some of the earliest mosques built from the very beginning of Islam. It had a rectangular prayer hall with aisles arranged perpendicular to the qibla, the direction towards which Muslims pray. The prayer hall was large and flat, with timber ceilings held up by arches of horseshoe-like appearance.
In planning the mosque, the architects incorporated a number of Roman columns with choice capitals. Some of the columns were already in the Gothic structure; others were sent from various regions of Iberia as presents from the governors of provinces. Ivory, jasper, porphyry, gold, silver, copper, and brass were used in the decorations. Marvellous mosaics and azulejos were designed. Later, the immense temple embodied all the styles of Morisco architecture into one composition.
The building is most notable for its arcaded hypostyle hall, with 856 columns of jasper, onyx, marble, granite and porphyry. These were made from pieces of the Roman temple that had occupied the site previously, as well as other Roman buildings, such as the Mérida amphitheatre. The double arches were an innovation, permitting higher ceilings than would otherwise be possible with relatively low columns. The double arches consist of a lower horseshoe arch and an upper semi-circular arch.