The Cathedral of the Nativity of the Theotokos in Suzdal is one of the eight White Monuments of Vladimir and Suzdal. One of the most complex monuments of Russian medieval architecture. It was originally constructed during the reign of Vladimir II Monomakh during the late 11th century.
The Cathedral of the Nativity is surrounded by a ring of earthen walls in an oxbow of Kamenka River. It is notable for being the first city cathedral not built for the exclusive use of the knyaz or his relatives. The cathedral contains the remains of a son of Yuri Dolgoruki, knyazes of the Shuisky family and others.
The cathedral was originally built during the reign of Vladimir II Monomakh in 1102. In 1222, on the orders of Yuri II of Vladimir the dilapidated building was taken down and replaced by a new one built of white stone. Thus it remained until 1528, when the white stone walls above the arcade are replaced by brick. In the 17th century, the previously three-domed cathedral was given five domes and the interior was partially repainted. Thus the cathedral survives to this day with numerous changes throughout its history, both in the exterior, and the interior, where the wall frescoes are of 13th-, 15th- and 17th-century origin. The cathedral has also endured fire several times.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.