Dormition Cathedral or Assumption Cathedral used to be a mother church of medieval Russia in the 13th and 14th centuries. It is part of the World Heritage Site entitled White Monuments of Vladimir and Suzdal.
The cathedral was commissioned by Andrew the Pious in his capital Vladimir and dedicated to the Dormition of the Theotokos (Virgin Mary), whom he promoted as the patron saint of his lands. Originally erected in 1158-1160, the 6-pillared 5-domed cathedral was expanded in 1185-1189 to reflect the augmented prestige of Vladimir. Embracing the area of 1178 sq. meters, it remained the largest of Russian churches for the following 300 or 400 years.
Andrew the Pious, Vsevolod the Big Nest, and other rulers of Vladimir-Suzdal were interred in the crypt of this church. Unlike many other churches, the cathedral survived the great devastation and fire of Vladimir in 1239, when the Mongol hordes of Batu Khan took hold of the capital.
The exterior walls of the church are covered with elaborate carvings. The interior was painted in the 12th century and then repainted by the great Andrei Rublev and Daniil Chernyi in 1408. The Dormition Cathedral served as a model for Aristotele Fioravanti when he designed the eponymous cathedral in the Moscow Kremlin in 1475-1479. A lofty belltower, combining genuinely Russian, Gothic, and Neoclassical influences, was erected nearby in 1810.
References:The Château de Foix dominates the town of Foix. An important tourist site, it is known as a centre of the Cathars. Built on an older 7th-century fortification, the castle is known from 987. In 1002, it was mentioned in the will of Roger I, Count of Carcassonne, who bequeathed the fortress to his youngest child, Bernard. In effect, the family ruling over the region were installed here which allowed them to control access to the upper Ariège valley and to keep surveillance from this strategic point over the lower land, protected behind impregnable walls.
In 1034, the castle became capital of the County of Foix and played a decisive role in medieval military history. During the two following centuries, the castle was home to Counts with shining personalities who became the soul of the Occitan resistance during the crusade against the Albigensians. The county became a privileged refuge for persecuted Cathars.
The castle, often besieged (notably by Simon de Montfort in 1211 and 1212), resisted assault and was only taken once, in 1486, thanks to treachery during the war between two branches of the Foix family.
From the 14th century, the Counts of Foix spent less and less time in the uncomfortable castle, preferring the Governors' Palace. From 1479, the Counts of Foix became Kings of Navarre and the last of them, made Henri IV of France, annexed his Pyrrenean lands to France.
As seat of the Governor of the Foix region from the 15th century, the castle continued to ensure the defence of the area, notably during the Wars of Religion. Alone of all the castles in the region, it was exempted from the destruction orders of Richelieu (1632-1638).
Until the Revolution, the fortress remained a garrison. Its life was brightened with grand receptions for its governors, including the Count of Tréville, captain of musketeers under Louis XIII and Marshal Philippe Henri de Ségur, one of Louis XVI's ministers. The Round Tower, built in the 15th century, is the most recent, the two square towers having been built before the 11th century. They served as a political and civil prison for four centuries until 1862.
Since 1930, the castle has housed the collections of the Ariège départemental museum. Sections on prehistory, Gallo-Roman and mediaeval archaeology tell the history of Ariège from ancient times. Currently, the museum is rearranging exhibits to concentrate on the history of the castle site so as to recreate the life of Foix at the time of the Counts.