The Church of Saint Lazarus is a late-9th century church in Larnaca. According to Orthodox tradition, sometime after the Resurrection of Christ, Lazarus was forced to flee Judea because of rumoured plots on his life and came to Cyprus. There he was appointed by Paul and Barnabas as the first Bishop of Kition (present-day Larnaca). He is said to have lived for thirty more years and on his death was buried there for the second and last time. The Church of Agios Lazaros was built over the reputed (second) tomb of Lazarus.
Tradition says that the place of Lazarus' tomb was lost during the period of Arab rule beginning in 649. In 890, a tomb was found in Larnaca bearing the inscription 'Lazarus the friend of Christ'. Emperor Leo VI of Byzantiumhad Lazarus' remains transferred to Constantinople in 898. The transfer was apostrophized by Arethas, Bishop of Caesarea, and is commemorated by the Orthodox Church each year on October 17. The transferred relics were later looted by the Fourth Crusade in the early 13th century and were brought to Marseille but subsequently lost.
In recompense to Larnaca for the translation, Emperor Leo had the Church of St. Lazarus erected over Lazarus' tomb in the late 9th to early 10th centuries. It is one of three Byzantine churches which have survived in Cyprus; the other two are the Church of the Apostle Barnabas near Salamis, and the church that was built in the walkway leading from the Epiphanios to the font.
The church is an elongated building measuring 31.5 x 14.5 m with a tripartite sanctuary, semicircular apses internally and three-sided externally and a five-sided apse in the center. The interior structure of the church is divided into three aisles with bulky double pillars and arched openings going through them. These pillars bear the weight of the domes thus forming the central aisle while the north and south aisles bear a semi-cylindrical roof, intersected by cross-vaults. The stonework of the church consists mainly of square limestone block about a meter in thickness. The church has an open porch, from which steps descend into the church.
Under Frankish and Venetian rule (the 13th to 16th centuries), the church became Roman Catholic. A stone covered portico (stoa) of Gothic style was added on its south side during this time.
The three imposing domes of this Orthodox Basilica Church and the original bell tower were destroyed, probably in the first years of Ottoman rule (1571 AD), when the church was turned into a mosque. In 1589, the Ottomans sold it back to the Orthodox, probably because of its Christian cemetery. For the next two hundred years it was used for both Orthodox and Catholic services. The porch bears traces of Greek, Latin, and French inscriptions. In 1857, after the Ottoman authorities again allowed Cypriot churches to have bell towers, the church's bell-tower was rebuilt in aLatinate style.
The woodcarving of the unique baroque iconostasis of the church was done between 1773 and 1782 by Chatzisavvas Taliadorou. The iconostasis was gold-plated between 1793 and 1797. Some of the icons were painted towards the end of the 18th century by Michael Proskynetes from Marathasa. Icon painter Hatzimichael completed the iconography of the iconostasis in 1797. Some of the wood-carved furniture (including a Rococo pulpit on one pillar for Catholic use) and icons on the walls are from the 17th century.
A fire in 1970 damaged much of the interior, including extensive damage to a section of the iconostasis together with the corresponding icons. The iconostasis has been partially restored and was re-plated with gold between 1972 and 1974. During the subsequent renovations of the church, on November 2, 1972, human remains were discovered in a marble sarcophagus under the altar, and were identified as part of the saint's relics (not all having been removed to Constantinople, apparently).References:
The Mosque–Cathedral of Córdoba, also known as the Great Mosque of Córdoba and the Mezquita is regarded as one of the most accomplished monuments of Moorish architecture.
According to a traditional account, a small Visigoth church, the Catholic Basilica of Saint Vincent of Lérins, originally stood on the site. In 784 Abd al-Rahman I ordered construction of the Great Mosque, which was considerably expanded by later Muslim rulers. The mosque underwent numerous subsequent changes: Abd al-Rahman II ordered a new minaret, while in 961 Al-Hakam II enlarged the building and enriched the Mihrab. The last of such reforms was carried out by Almanzor in 987. It was connected to the Caliph"s palace by a raised walkway, mosques within the palaces being the tradition for previous Islamic rulers – as well as Christian Kings who built their palaces adjacent to churches. The Mezquita reached its current dimensions in 987 with the completion of the outer naves and courtyard.
In 1236, Córdoba was conquered by King Ferdinand III of Castile, and the centre of the mosque was converted into a Catholic cathedral. Alfonso X oversaw the construction of the Villaviciosa Chapel and the Royal Chapel within the mosque. The kings who followed added further Christian features, such as King Henry II rebuilding the chapel in the 14th century. The minaret of the mosque was also converted to the bell tower of the cathedral. It was adorned with Santiago de Compostela"s captured cathedral bells. Following a windstorm in 1589, the former minaret was further reinforced by encasing it within a new structure.
The most significant alteration was the building of a Renaissance cathedral nave in the middle of the expansive structure. The insertion was constructed by permission of Charles V, king of Castile and Aragon. Artisans and architects continued to add to the existing structure until the late 18th century.
The building"s floor plan is seen to be parallel to some of the earliest mosques built from the very beginning of Islam. It had a rectangular prayer hall with aisles arranged perpendicular to the qibla, the direction towards which Muslims pray. The prayer hall was large and flat, with timber ceilings held up by arches of horseshoe-like appearance.
In planning the mosque, the architects incorporated a number of Roman columns with choice capitals. Some of the columns were already in the Gothic structure; others were sent from various regions of Iberia as presents from the governors of provinces. Ivory, jasper, porphyry, gold, silver, copper, and brass were used in the decorations. Marvellous mosaics and azulejos were designed. Later, the immense temple embodied all the styles of Morisco architecture into one composition.
The building is most notable for its arcaded hypostyle hall, with 856 columns of jasper, onyx, marble, granite and porphyry. These were made from pieces of the Roman temple that had occupied the site previously, as well as other Roman buildings, such as the Mérida amphitheatre. The double arches were an innovation, permitting higher ceilings than would otherwise be possible with relatively low columns. The double arches consist of a lower horseshoe arch and an upper semi-circular arch.