The Church of Saint Lazarus is a late-9th century church in Larnaca. According to Orthodox tradition, sometime after the Resurrection of Christ, Lazarus was forced to flee Judea because of rumoured plots on his life and came to Cyprus. There he was appointed by Paul and Barnabas as the first Bishop of Kition (present-day Larnaca). He is said to have lived for thirty more years and on his death was buried there for the second and last time. The Church of Agios Lazaros was built over the reputed (second) tomb of Lazarus.
Tradition says that the place of Lazarus' tomb was lost during the period of Arab rule beginning in 649. In 890, a tomb was found in Larnaca bearing the inscription 'Lazarus the friend of Christ'. Emperor Leo VI of Byzantiumhad Lazarus' remains transferred to Constantinople in 898. The transfer was apostrophized by Arethas, Bishop of Caesarea, and is commemorated by the Orthodox Church each year on October 17. The transferred relics were later looted by the Fourth Crusade in the early 13th century and were brought to Marseille but subsequently lost.
In recompense to Larnaca for the translation, Emperor Leo had the Church of St. Lazarus erected over Lazarus' tomb in the late 9th to early 10th centuries. It is one of three Byzantine churches which have survived in Cyprus; the other two are the Church of the Apostle Barnabas near Salamis, and the church that was built in the walkway leading from the Epiphanios to the font.
The church is an elongated building measuring 31.5 x 14.5 m with a tripartite sanctuary, semicircular apses internally and three-sided externally and a five-sided apse in the center. The interior structure of the church is divided into three aisles with bulky double pillars and arched openings going through them. These pillars bear the weight of the domes thus forming the central aisle while the north and south aisles bear a semi-cylindrical roof, intersected by cross-vaults. The stonework of the church consists mainly of square limestone block about a meter in thickness. The church has an open porch, from which steps descend into the church.
Under Frankish and Venetian rule (the 13th to 16th centuries), the church became Roman Catholic. A stone covered portico (stoa) of Gothic style was added on its south side during this time.
The three imposing domes of this Orthodox Basilica Church and the original bell tower were destroyed, probably in the first years of Ottoman rule (1571 AD), when the church was turned into a mosque. In 1589, the Ottomans sold it back to the Orthodox, probably because of its Christian cemetery. For the next two hundred years it was used for both Orthodox and Catholic services. The porch bears traces of Greek, Latin, and French inscriptions. In 1857, after the Ottoman authorities again allowed Cypriot churches to have bell towers, the church's bell-tower was rebuilt in aLatinate style.
The woodcarving of the unique baroque iconostasis of the church was done between 1773 and 1782 by Chatzisavvas Taliadorou. The iconostasis was gold-plated between 1793 and 1797. Some of the icons were painted towards the end of the 18th century by Michael Proskynetes from Marathasa. Icon painter Hatzimichael completed the iconography of the iconostasis in 1797. Some of the wood-carved furniture (including a Rococo pulpit on one pillar for Catholic use) and icons on the walls are from the 17th century.
A fire in 1970 damaged much of the interior, including extensive damage to a section of the iconostasis together with the corresponding icons. The iconostasis has been partially restored and was re-plated with gold between 1972 and 1974. During the subsequent renovations of the church, on November 2, 1972, human remains were discovered in a marble sarcophagus under the altar, and were identified as part of the saint's relics (not all having been removed to Constantinople, apparently).References:
Lübeck Cathedral is a large brick-built Lutheran cathedral in Lübeck, Germany and part of the Lübeck UNESCO World Heritage Site. In 1173 Henry the Lion founded the cathedral to serve the Diocese of Lübeck, after the transfer in 1160 of the bishop's seat from Oldenburg in Holstein under bishop Gerold. The then Romanesque cathedral was completed around 1230, but between 1266 and 1335 it was converted into a Gothic-style building with side-aisles raised to the same height as the main aisle.
On the night of Palm Sunday (28–29 March) 1942 a Royal Air Force bombing raid destroyed a fifth of the town centre. Several bombs fell in the area around the church, causing the eastern vault of the quire to collapse and destroying the altar which dated from 1696. A fire from the neighbouring cathedral museum spread to the truss of the cathedral, and around noon on Palm Sunday the towers collapsed. An Arp Schnitger organ was lost in the flames. Nevertheless, a relatively large portion of the internal fittings was saved, including the cross and almost all of the medieval polyptychs. In 1946 a further collapse, of the gable of the north transept, destroyed the vestibule almost completely.
Reconstruction of the cathedral took several decades, as greater priority was given to the rebuilding of the Marienkirche. Work was completed only in 1982.
The cathedral is unique in that at 105 m, it is shorter than the tallest church in the city. This is the consequence of a power struggle between the church and the guilds.
The 17 m crucifix is the work of the Lübeck artist Bernt Notke. It was commissioned by the bishop of Lübeck, Albert II. Krummendiek, and erected in 1477. The carvings which decorate the rood screen are also by Notke.
Since the war, the famous altar of Hans Memling has been in the medieval collection of the St. Annen Museum, but notable polyptychs remain in the cathedral.
In the funeral chapels of the southern aisle are Baroque-era memorials by the Flemish sculptor Thomas Quellinus.