Larnaka Castle was originally a small fort built by the Byzantine rule probably in late 12th century. The city gained importance during the medieval ages after the Genovese occupied the main port of the country and the need for a new port town emerged. Soon after Larnaca became one of the main ports of the Kingdom of Cyprus and the need of a castle protecting the city and the harbour emerged. Between the years 1382-1398 the small Byzantine fortification located near the harbour was upgraded to a more substantial castle.
By the 18th century the castle started losing importance and was abandoned. In the first half of the 18th century, famous explorer, Abbot Giovanni Mariti, recorded that the castle was in a semi-ruined state; yet there was still garrison protecting it. The castle was subject to German occupation during World War I. The occupation lasted from 1914-1918 and the castle was used as a German military outpost. At the end of the war the castle was retaken by the British and was converted into a prison where gallows were installed to execute prisoners. The last execution took place in 1948. During the Cypriot civil war the castle was held by Greek Cypriots and was used as a war prison.
In its present state of conservation the castle consists of a complex of buildings constructed during different chronological periods. The two-storey building on the north side was constructed during the Ottoman period, as is indicated by its architectural style and a Turkish inscription above the entrance, whereas the east and south wings belong to earlier phases. The British Administration used the western chamber of the ground floor in the east for the execution of prisoners. The gallows which must had been constructed in the room, were in use until 1948.
Today the Castle houses a small museum consisting of three rooms situated on the upper floor of the main building, directly above the entrance. Antiquities from Early Christian, Byzantine and Post-Byzantine monuments of Cyprus are exhibited in the western room. Photographs of Byzantine wall paintings dated from 11th-16th centuries A.D. are exhibited in the central room. In the large eastern room representative examples of medieval glazed pottery, metal cooking utensils and guns as well as helmets and swords.References:
The Cathedral of Limburg is one of the best preserved late Romanesque style buildings. It is unknown When the first church was built above the Lahn river. Archaeological discoveries have revealed traces of a 9th-century church building in the area of the current chapel. It was probably built in Merovingian times as a castle and the chapel added in the early 9th century.
In 910 AD, Count Konrad Kurzbold (cousin of the future King Konrad I) founded a collegiate chapter of 18 canons, who lived according to the rule of Bishop Chrodegang of Metz, on the hilltop site. The original castle chapel was torn down and a three-aisled basilica was built in its place. The foundations of this basilica have been found beneath the present floor.
The construction of current cathedral is dated to 1180-90. The consecration was performed in 1235 by the archbishop of Trier. It seems certain that the cathedral was built in four stages. The first stage encompassed the west facade, the south side aisle, the choir and the transept up to the matroneum. This section forms the Conradine church. The second stage consisted of the addition of the inner pillars of the south nave. In this stage the bound system was first introduced. In the third phase, the matroneum in the southern nave was built. The fourth stage included the north side of the transept and the choir matroneum. By this stage Gothic influence is very clear.
The interior was destroyed by Swedish soldiers during the Thirty Years War (1618-48) and reconstructed in a late Baroque style in 1749. The Baroque renovation was heavy-handed: the surviving medieval stained glass windows were replaced; all the murals were covered up; the ribs of the vaults and columns of the arcades were painted blue and red; the capstones were gilded; the original high altar was replaced. The colorfully painted exterior was coated in plain white and the central tower was extended by 6.5 meters.
The collegiate chapter of Limburg was dissolved in 1803 during the Napoleonic period, but then raised to the rank of cathedral in 1827 when the bishopric of Limburg was founded. Some renovations in contemporary style followed: the walls were coated white, the windows were redone in blue and orange (the heraldic colors of the Duke of Nassau) and towers were added to the south transept (1865).
Further changes came after Limburg was incorporated into the Kingdom of Prussia in 1866. It was now the Romantic period and the cathedral was accordingly restored to an idealized vision of its original Romanesque appearance. The exterior stonework was stripped of all its plaster and paint, to better conform with the Romantic ideal of a medieval church growing out of the rock. The Baroque interior was stripped away and the wall paintings were uncovered and repainted.
Further renovations came in 1934-35, enlightened by better knowledge of the original art and architecture. Art Nouveau stained glass windows were also added. A major restoration in 1965-90 included replastering and painting the exterior, both to restore it to its original appearance and to protect the stonework, which was rapidly deteriorating while exposed to the elements.
The interior is covered in medieval frescoes dating from 1220 to 1235. They are magnificent and important survivals, but time has not been terribly kind to them - they were whitewashed over in the Baroque period (1749) and uncovered and repainted with a heavy hand in the Romantic period (1870s) before finally being restored more sensitively in the 1980s.