Larnaka Castle was originally a small fort built by the Byzantine rule probably in late 12th century. The city gained importance during the medieval ages after the Genovese occupied the main port of the country and the need for a new port town emerged. Soon after Larnaca became one of the main ports of the Kingdom of Cyprus and the need of a castle protecting the city and the harbour emerged. Between the years 1382-1398 the small Byzantine fortification located near the harbour was upgraded to a more substantial castle.
By the 18th century the castle started losing importance and was abandoned. In the first half of the 18th century, famous explorer, Abbot Giovanni Mariti, recorded that the castle was in a semi-ruined state; yet there was still garrison protecting it. The castle was subject to German occupation during World War I. The occupation lasted from 1914-1918 and the castle was used as a German military outpost. At the end of the war the castle was retaken by the British and was converted into a prison where gallows were installed to execute prisoners. The last execution took place in 1948. During the Cypriot civil war the castle was held by Greek Cypriots and was used as a war prison.
In its present state of conservation the castle consists of a complex of buildings constructed during different chronological periods. The two-storey building on the north side was constructed during the Ottoman period, as is indicated by its architectural style and a Turkish inscription above the entrance, whereas the east and south wings belong to earlier phases. The British Administration used the western chamber of the ground floor in the east for the execution of prisoners. The gallows which must had been constructed in the room, were in use until 1948.
Today the Castle houses a small museum consisting of three rooms situated on the upper floor of the main building, directly above the entrance. Antiquities from Early Christian, Byzantine and Post-Byzantine monuments of Cyprus are exhibited in the western room. Photographs of Byzantine wall paintings dated from 11th-16th centuries A.D. are exhibited in the central room. In the large eastern room representative examples of medieval glazed pottery, metal cooking utensils and guns as well as helmets and swords.References:
The Mosque–Cathedral of Córdoba, also known as the Great Mosque of Córdoba and the Mezquita is regarded as one of the most accomplished monuments of Moorish architecture.
According to a traditional account, a small Visigoth church, the Catholic Basilica of Saint Vincent of Lérins, originally stood on the site. In 784 Abd al-Rahman I ordered construction of the Great Mosque, which was considerably expanded by later Muslim rulers. The mosque underwent numerous subsequent changes: Abd al-Rahman II ordered a new minaret, while in 961 Al-Hakam II enlarged the building and enriched the Mihrab. The last of such reforms was carried out by Almanzor in 987. It was connected to the Caliph"s palace by a raised walkway, mosques within the palaces being the tradition for previous Islamic rulers – as well as Christian Kings who built their palaces adjacent to churches. The Mezquita reached its current dimensions in 987 with the completion of the outer naves and courtyard.
In 1236, Córdoba was conquered by King Ferdinand III of Castile, and the centre of the mosque was converted into a Catholic cathedral. Alfonso X oversaw the construction of the Villaviciosa Chapel and the Royal Chapel within the mosque. The kings who followed added further Christian features, such as King Henry II rebuilding the chapel in the 14th century. The minaret of the mosque was also converted to the bell tower of the cathedral. It was adorned with Santiago de Compostela"s captured cathedral bells. Following a windstorm in 1589, the former minaret was further reinforced by encasing it within a new structure.
The most significant alteration was the building of a Renaissance cathedral nave in the middle of the expansive structure. The insertion was constructed by permission of Charles V, king of Castile and Aragon. Artisans and architects continued to add to the existing structure until the late 18th century.
The building"s floor plan is seen to be parallel to some of the earliest mosques built from the very beginning of Islam. It had a rectangular prayer hall with aisles arranged perpendicular to the qibla, the direction towards which Muslims pray. The prayer hall was large and flat, with timber ceilings held up by arches of horseshoe-like appearance.
In planning the mosque, the architects incorporated a number of Roman columns with choice capitals. Some of the columns were already in the Gothic structure; others were sent from various regions of Iberia as presents from the governors of provinces. Ivory, jasper, porphyry, gold, silver, copper, and brass were used in the decorations. Marvellous mosaics and azulejos were designed. Later, the immense temple embodied all the styles of Morisco architecture into one composition.
The building is most notable for its arcaded hypostyle hall, with 856 columns of jasper, onyx, marble, granite and porphyry. These were made from pieces of the Roman temple that had occupied the site previously, as well as other Roman buildings, such as the Mérida amphitheatre. The double arches were an innovation, permitting higher ceilings than would otherwise be possible with relatively low columns. The double arches consist of a lower horseshoe arch and an upper semi-circular arch.