Amathus was one of the most ancient royal cities of Cyprus. Its ancient cult of Aphrodite was the most important, after Paphos, in Cyprus, her homeland, though the ruins of Amathus are less well-preserved than neighboring Kourion.
The pre-history of Amathus mixes myth and archaeology. Though there was no Bronze Age city on the site, archaeology has detected human activity that is evident from the earliest Iron Age, c. 1100 BC. The city's legendary founder was Cinyras, linked with the birth of Adonis, who called the city after his mother Amathous. According to a version of the Ariadne legend noted by Plutarch, Theseus abandoned Ariadne at Amathousa, where she died giving birth to her child and was buried in a sacred tomb. According to Plutarch's source, Amathousians called the sacred grove where her shrine was situated the Wood of Aphrodite Ariadne. More purely Hellenic myth would have Amathus settled instead by one of the sons of Heracles, thus accounting for the fact that he was worshiped there.
Amathus was built on the coastal cliffs with a natural harbor and flourished at an early date, soon requiring several cemeteries. Greeks from Euboea left their pottery at Amathus from the 10th century BC. During the post-Phoenician era of the 8th century BC, a palace was erected and a port was also constructed, which served the trade with the Greeks and the Levantines. A special burial ground for infants, a tophet served the culture of the Phoenicians. For the Hellenes, high on the cliff a temple was built, which became a worship site devoted to Aphrodite, in her particular local presence as Aphrodite Amathusia along with a bearded male Aphrodite called Aphroditos. The excavators discovered the final stage of the Temple of Aphrodite, also known as Aphrodisias, which dates approximately to the 1st century BC. According to the legend, it was where festive Adonia took place, in which athletes competed in hunting wild boars during sport competitions; they also competed in dancing and singing, all to the honour of Adonis.
The earliest remains hitherto found on the site are tombs of the early Iron Age period of Graeco-Phoenician influences (1000-600 BC). Amathus is identified with Kartihadasti (Phoenician 'New-Town') in the Cypriote tribute-list of Esarhaddon of Assyria (668 BC). It certainly maintained strong Phoenician sympathies, for it was its refusal to join the philhellene league of Onesilos of Salamis which provoked the revolt of Cyprus from Achaemenid Persia in 500-494 BC, when Amathus was besieged unsuccessfully and avenged itself by the capture and execution of Onesilos.
Amathus was a rich and densely populated kingdom with a flourishing agriculture and mines situated very close to the northeast Kalavasos. In the Roman era it became the capital of one of the four administrative regions of Cyprus. Later, in the 4th century AD, Amasus became the see of a Christian bishop and continued to flourish until the Byzantine period. In the late 6th century, Ayios Ioannis Eleimonas (Saint John the Charitable), protector of the Knights of St. John, was born in Amathus. Sometime in the first half of the 7th century Anastasius Sinaita, the famous prolific monk of the Saint Catherine's Monastery, was also born there. It is thought that he left Cyprus after the 649 Arab conquest of the island, setting out for the Holy Land, eventually becoming a monk on Sinai.
Amathus still flourished and produced a distinguished patriarch of Alexandria, St. John the Merciful, as late as 606-616, and a ruined Byzantine church marks the site; but it declined and was already almost deserted when Richard Plantagenet won Cyprus by a victory there over Isaac Comnenus in 1191. The tombs were plundered and the stones from the beautiful edifices were brought to Limassol to be used for new constructions. Much later, in 1869, a great number of blocks of stone from Amathus were used for the construction of the Suez Canal.
The city had vanished, except fragments of wall and of a great stone cistern on the acropolis. A similar vessel was transported to the Musée du Louvre in 1867, a limestone dim, used for storing the must from the grapes, which dates to the 6th century BC. It is 1.85 m high and weighs 14 tons. It was made from a single stone and has four curved handles bearing the head of a bull.References:
The Church of the Savior on Spilled Blood is one of the main sights of St. Petersburg. The church was built on the site where Tsar Alexander II was assassinated and was dedicated in his memory. Construction began in 1883 under Alexander III, as a memorial to his father, Alexander II. Work progressed slowly and was finally completed during the reign of Nicholas II in 1907. Funding was provided by the Imperial family with the support of many private donors.
Architecturally, the Cathedral differs from St. Petersburg's other structures. The city's architecture is predominantly Baroque and Neoclassical, but the Savior on Blood harks back to medieval Russian architecture in the spirit of romantic nationalism. It intentionally resembles the 17th-century Yaroslavl churches and the celebrated St. Basil's Cathedral in Moscow.
The Church contains over 7500 square metres of mosaics — according to its restorers, more than any other church in the world. The interior was designed by some of the most celebrated Russian artists of the day — including Viktor Vasnetsov, Mikhail Nesterov and Mikhail Vrubel — but the church's chief architect, Alfred Alexandrovich Parland, was relatively little-known (born in St. Petersburg in 1842 in a Baltic-German Lutheran family). Perhaps not surprisingly, the Church's construction ran well over budget, having been estimated at 3.6 million roubles but ending up costing over 4.6 million. The walls and ceilings inside the Church are completely covered in intricately detailed mosaics — the main pictures being biblical scenes or figures — but with very fine patterned borders setting off each picture.
In the aftermath of the Russian Revolution, the church was ransacked and looted, badly damaging its interior. The Soviet government closed the church in the early 1930s. During the Second World War when many people were starving due to the Siege of Leningrad by Nazi German military forces, the church was used as a temporary morgue for those who died in combat and from starvation and illness. The church suffered significant damage. After the war, it was used as a warehouse for vegetables, leading to the sardonic name of Saviour on Potatoes.
In July 1970, management of the Church passed to Saint Isaac's Cathedral (then used as a highly profitable museum) and proceeds from the Cathedral were funneled back into restoring the Church. It was reopened in August 1997, after 27 years of restoration, but has not been reconsecrated and does not function as a full-time place of worship; it is a Museum of Mosaics. Even before the Revolution it never functioned as a public place of worship; having been dedicated exclusively to the memory of the assassinated tsar, the only services were panikhidas (memorial services). The Church is now one of the main tourist attractions in St. Petersburg.