Beaufort Castle consists of the ruins of the medieval fortress and an adjacent Renaissance château. It probably originates from the 11th century when a small square-shaped fortress was built on a large rock protected by a moat and a second wall above the valley. A reference from 1192 indicates that Wauthtier de Wiltz et Beaufort was its first lord. During the first half of the 12th century, a keep was added and the gate was moved and enlarged. In 1348, the property came into the hands of the House of Orley after Adelaide of Beaufort married William of Orley. The Lords of Orley made significant extensions overlooking the valley. In 1477, Maximilian of Austria transferred the castle to Johann Bayer von Boppard after Johann von Orley-Beaufort committed a breach in trust. In 1539, Bernard von Velbrück became Lord of Beaufort through marriage and added the large Renaissance wing with cross-framed windows on top of the medieval walls.
The castle then came into the hands of Gaspard de Heu who had married Velbrück's granddaughter. A partisan of the Dutch resistance and the House of Orange, de Heu was captured by the Spaniards, accused of heresy and treason, and publicly executed in Luxembourg's fish market in 1593. Philip II of Spain confiscated the property and entrusted it to Peter Ernst Graf von Mansfeld, the governor of Luxembourg. Through marriage, the castle became the property of Henri de Chalon and then Gaspard du Bost-Moulin who had to sell it after being ruined by the Thirty Years War. Acting on behalf of the Spanish king, Johann Baron von Beck, governor of Luxembourg, bought most of the property in 1639. He initiated the construction of the Renaissance castle in 1643 but after he died of injuries from the Battle of Lens in 1648, the work was completed by his son in 1649.
After various changes in ownership including Pierre de Coumont (1774) and Jean Théodore Baron de Tornaco-Vervoy (1781), the castle was abandoned, fell into disrepair and at the beginning of the 19th century was even used as a quarry. In 1850, it was listed by the State as a national monument. In 1893, the new owner Henri Even restored the new building and, in 1928, Edmond Linkels cleared the rubble away and opened the medieval castle to visitors. In 1981, the property was acquired by the State.
The ruins of the medieval castle are open to visitors in summer season.References:
The Church of St Eustace was built between 1532-1632. St Eustace"s is considered a masterpiece of late Gothic architecture. The church’s reputation was strong enough of the time for it to be chosen as the location for a young Louis XIV to receive communion. Mozart also chose the sanctuary as the location for his mother’s funeral. Among those baptised here as children were Richelieu, Jeanne-Antoinette Poisson, future Madame de Pompadour and Molière, who was also married here in the 17th century. The last rites for Anne of Austria, Turenne and Mirabeau were pronounced within its walls. Marie de Gournay is buried there.
The origins of Saint Eustache date back to 13th century. The church became a parish church in 1223, thanks to a man named Jean Alais who achieved this by taxing the baskets of fish sold nearby, as granted by King Philip Augustus. To thank such divine generosity, Alais constructed a chapel dedicated to Sainte-Agnès, a Roman martyr. The construction of the current church began in 1532, the work not being finally completed until 1637. The name of the church refers to Saint Eustace, a Roman general of the second century AD who was burned, along with his family, for converting to Christianity, and it is believed that it was the transfer of a relic of Saint Eustache from the Abbey to Saint-Denis to the Church of Saint Eustache which resulted in its naming. Jeanne Baptiste d"Albert de Luynes was baptised here.
According to tourist literature on-site, during the French Revolution the church, like most churches in Paris, was desecrated, looted, and used for a time as a barn. The church was restored after the Revolution had run its course and remains in use today. Several impressive paintings by Rubens remain in the church today. Each summer, organ concerts commemorate the premieres of Berlioz’s Te Deum and Liszt’s Christus here in 1886.
The church is an example of a Gothic structure clothed in Renaissance detail. The church is relatively short in length at 105m, but its interior is 33.45m high to the vaulting. At the main façade, the left tower has been completed in Renaissance style, while the right tower remains a stump. The front and rear aspects provide a remarkable contrast between the comparatively sober classical front and the exuberant rear, which integrates Gothic forms and organization with Classical details. The L"écoute sculpture by Henri de Miller appears outside the church, to the south. A Keith Haring sculpture stands in a chapel of the church.
The Chapel of the Virgin was built in 1640 and restored from 1801 to 1804. It was inaugurated by Pius VII on the 22nd of December, 1804 when he came to Paris for the coronation of Napoleon. The apse chapel, with a ribbed cul-de-four vault, has at its centre a sculpture of the Virgin and Child of Jean-Baptiste Pigalle that the painter Thomas Couture highlighted by three large paintings.
With 8,000 pipes, the organ is reputed to be the largest pipe organ in France, surpassing the organs of Saint Sulpice and Notre Dame de Paris. The organ originally constructed by P.-A. Ducroquet was powerful enough for the premiere of Hector Berlioz" titanic Te Deum to be performed at St-Eustache in 1855.