The Monument of Remembrance, usually known by the nickname of the Gëlle Fra (Luxembourgish for 'Golden Lady'), is a war memorial dedicated to the thousands of Luxembourgers who volunteered for service in the armed forces of the Allied Powers during World War I.
The centrepiece of the monument is a 21 metre-tall granite obelisk. Atop of the obelisk stands a gilded bronze statue of a lady, holding out a laurel wreath as if placing it upon the head of the nation. At the foot of the obelisk are two (ungilded) bronze figures, representing those Luxembourgish soldiers that volunteered to serve for France; one lies at the base of the statue, having died in service of his country, whilst the other sits, mourning his dead compatriot.
The sculptor of the three bronze figures was Claus Cito, a native Luxembourger. The model for the Gëlle Fra is unknown. The monument was opened in 1923.
During the First World War, Luxembourg pledged itself to neutrality, but was occupied by Germany, which justified its actions by citing military necessity. However, most Luxembourgers did not believe Germany's good intentions, fearing that Germany would annex their country in the event of a German victory; these claims were substantiated by Bethmann Hollweg's Septemberprogramm.
When Luxembourg was occupied by Nazi forces in World War II, the Germans dismantled the memorial on the 21st October 1940. Several portions of the memorial were rescued, and after the war, the monument was partially restored. The Gëlle Fra herself however remained unaccounted for until January 1980 when she was found hidden beneath the main stand of the national football stadium. Later additions were made to honor Luxembourger forces who had served in World War II and the Korean War.
The monument was not fully reconstructed and restored to its original design until 1984 and then finally unveiled to the public in the presence of Grand Duke Jean on the 23rd June 1985, Luxembourg's national holiday.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.