The City Hall in Delft is a Renaissance style former seat of the city's government, and still today the place where residents hold their civic wedding ceremonies. Originally designed by the Dutch architect Hendrick de Keyser, it was heavily changed over the centuries and was restored in the 20th century to its Renaissance appearance. The old city hall burned down n 1618, and since Hendrik de Keyser was working across the Markt at the Nieuwe Kerk, he was asked to design a new one.
There are some group portraits, and portraits of the counts of Orange and Nassau, including several by Michiel van Mierevelt (1567–1641), one of the earliest Dutch portrait painters, and with his son Pieter (1595–1623), a native of Delft. The oldest part of the complex is the tower covered in 'Gobertanger' limestone from Wallonia, a building material used often in important renaissance buildings in the Netherlands up to 1600. The tower, called 'De Steen', was originally built around 1300 and has decorative clockfaces from 1536 and the bells were made by Hendrick van Trier and Francois Hemony. The facade has a 'Justitia' statue. Under the tower is an old city prison where the assassin of Willem the Silent, Balthasar Gérard, was kept before sentencing.
Up the stairway and immediately behind the heavy wooden entrance doors is the Vierschaar, with a decorative painting of the Judgment of Solomon by Pieter van Bronckhorst.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.