The Oude Kerk (Old Church), nicknamed Oude Jan ('Old John'), is a Gothic Protestant church founded as St. Bartholomew's Church in the year 1246, on the site of previous churches dating back up to two centuries earlier. The layout followed that of a traditional basilica, with a nave flanked by two smaller aisles.
The most recognizable feature of the church is a 75-meter-high brick tower that leans about two meters from the vertical. During its build the foundations weren't strong enough to support the building, and the church began to lean. As they continued to build the church they tried to compensate its lean on each layer of the tower, but it remains to this day that only the 4 turrets at the top are truly vertical.
The tower with its central spire and four corner turrets was added between 1325–50, and dominated the townscape for a century and a half until it was surpassed in height by the Nieuwe Kerk (New Church). It is possible that the course of the adjacent canal had to be shifted slightly to make room for the tower, leaving an unstable foundation that caused the tower to tilt.
By the end of the 14th century, expansion of the side aisles to the height of the nave transformed the building into a hall church, which was rededicated to St. Hippolytus. The church again took on a typical basilican cross-section with the construction of a higher nave between about 1425 and 1440.
The Delft town fire of 1536 and the turmoil of the Protestant Reformation brought a premature end to an ambitious expansion project led by two members of the Keldermans family of master builders. This construction phase resulted in the flat-roofed, stone-walled northern transept arm that differs markedly in style from the older parts.
The great fire, iconoclasm, weather, and the explosion of the town's gunpowder store in 1654 (see Delft Explosion) took their toll on the church and its furnishings, necessitating much repair work over the years. During one renovation, the tower turrets were rebuilt in a more vertical alignment than the leaning body below, giving the tower as a whole a slightly kinked appearance. The current stained-glass windows were crafted by the master glazier Joep Nicolas in the mid-20th century.
The church possesses three pipe organs, from the years 1857 (main organ), 1873 (north aisle) and 1770 (choir).
The most massive bell in the tower, cast in 1570 and called Trinitasklok or Bourdon, weighs nearly nine tonnes, and because of its strong and potentially damaging vibrations, is rung only on such special occasions as the burial of a Dutch royal family member in the nearby New Church. The massive bell is also sounded during disasters, when local air-raid sirens are sounded. This, however, does not happen during the siren's monthly, country-wide test, which happens every first Monday of the month.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.