The Oude Kerk (Old Church), nicknamed Oude Jan ('Old John'), is a Gothic Protestant church founded as St. Bartholomew's Church in the year 1246, on the site of previous churches dating back up to two centuries earlier. The layout followed that of a traditional basilica, with a nave flanked by two smaller aisles.
The most recognizable feature of the church is a 75-meter-high brick tower that leans about two meters from the vertical. During its build the foundations weren't strong enough to support the building, and the church began to lean. As they continued to build the church they tried to compensate its lean on each layer of the tower, but it remains to this day that only the 4 turrets at the top are truly vertical.
The tower with its central spire and four corner turrets was added between 1325–50, and dominated the townscape for a century and a half until it was surpassed in height by the Nieuwe Kerk (New Church). It is possible that the course of the adjacent canal had to be shifted slightly to make room for the tower, leaving an unstable foundation that caused the tower to tilt.
By the end of the 14th century, expansion of the side aisles to the height of the nave transformed the building into a hall church, which was rededicated to St. Hippolytus. The church again took on a typical basilican cross-section with the construction of a higher nave between about 1425 and 1440.
The Delft town fire of 1536 and the turmoil of the Protestant Reformation brought a premature end to an ambitious expansion project led by two members of the Keldermans family of master builders. This construction phase resulted in the flat-roofed, stone-walled northern transept arm that differs markedly in style from the older parts.
The great fire, iconoclasm, weather, and the explosion of the town's gunpowder store in 1654 (see Delft Explosion) took their toll on the church and its furnishings, necessitating much repair work over the years. During one renovation, the tower turrets were rebuilt in a more vertical alignment than the leaning body below, giving the tower as a whole a slightly kinked appearance. The current stained-glass windows were crafted by the master glazier Joep Nicolas in the mid-20th century.
The church possesses three pipe organs, from the years 1857 (main organ), 1873 (north aisle) and 1770 (choir).
The most massive bell in the tower, cast in 1570 and called Trinitasklok or Bourdon, weighs nearly nine tonnes, and because of its strong and potentially damaging vibrations, is rung only on such special occasions as the burial of a Dutch royal family member in the nearby New Church. The massive bell is also sounded during disasters, when local air-raid sirens are sounded. This, however, does not happen during the siren's monthly, country-wide test, which happens every first Monday of the month.References:
The Moszna Castle is one of the best known monuments in the western part of Upper Silesia. The history of this building begins in the 17th century, although much older cellars were found in the gardens during excavations carried out at the beginning of the 20th century. Some of the investigators, including H. Barthel, claimed that those cellars could have been remnants of a presumed Templar castle, but their theory has never been proved. After World War II, further excavations discovered a medieval palisade.
The central part of the castle is an old baroque palace which was partially destroyed by fire on the night of April 2, 1896 and was reconstructed in the same year in its original form by Franz Hubert von Tiele-Winckler. The reconstruction works involved an extension of the residence. The eastern Neogothic-styled wing of the building was built by 1900, along with an adjacent orangery. In 1912-1914, the western wing was built in the Neo-Renaissance style. The architectural form of the castle contains a wide variety of styles, thus it can be generally defined as eclectic.
The height of the building, as well as its numerous turrets and spires, give the impression of verticalism. The whole castle has exactly ninety-nine turrets. Inside, it contains 365 rooms. The castle was twice visited by the German Emperor Wilhelm II. His participation in hunting during his stay at the castle was documented in a hand-written chronicle in 1911 as well as in the following year. The castle in Moszna was the residence of a Silesian family Tiele-Winckler who were industrial magnates, from 1866 until the spring of 1945 when they were forced to move to Germany and the castle was occupied by the Red Army. The period of the Soviet control caused significant damage to the castle's internal fittings in comparison to the minor damage caused by WWII.
After World War II the castle did not have a permanent owner and was the home of various institutions until 1972 when it became a convalescent home. Later it became a Public Health Care Centre for Therapies of Neuroses. Nowadays it can be visited by tourists since the health institution has moved to another building in the neighbourhood. The castle also has a chapel which is used as a concert hall. Since 1998 the castle housed a gallery in which works of various artists are presented at regular exhibitions.
Apart from the castle itself, the entire complex includes a park which has no precise boundaries and includes nearby fields, meadows and a forest. Only the main axis of the park can be characterised as geometrical. Starting from the gate, it leads along the oak and then horse-chestnut avenues, towards the castle. Further on, the park passes into an avenue of lime trees with symmetrical canals running along both sides of the path, lined with a few varieties of rhododendrons. The axis of the park terminates at the base of a former monument of Hubert von Tiele-Winckler. On the eastern side of the avenue there is a pond with an islet referred to by the owners as Easter Island. The islet is planted with needle-leaved shrubs and can be reached by a Chinese-styled bridge. The garden, as part of the whole park complex was restored slightly earlier than the castle itself. Preserved documents of 1868 state that the improvement in the garden's aesthetic quality was undertaken by Hubert von Tiele-Winckler.