The Oude Kerk (Old Church), nicknamed Oude Jan ('Old John'), is a Gothic Protestant church founded as St. Bartholomew's Church in the year 1246, on the site of previous churches dating back up to two centuries earlier. The layout followed that of a traditional basilica, with a nave flanked by two smaller aisles.
The most recognizable feature of the church is a 75-meter-high brick tower that leans about two meters from the vertical. During its build the foundations weren't strong enough to support the building, and the church began to lean. As they continued to build the church they tried to compensate its lean on each layer of the tower, but it remains to this day that only the 4 turrets at the top are truly vertical.
The tower with its central spire and four corner turrets was added between 1325–50, and dominated the townscape for a century and a half until it was surpassed in height by the Nieuwe Kerk (New Church). It is possible that the course of the adjacent canal had to be shifted slightly to make room for the tower, leaving an unstable foundation that caused the tower to tilt.
By the end of the 14th century, expansion of the side aisles to the height of the nave transformed the building into a hall church, which was rededicated to St. Hippolytus. The church again took on a typical basilican cross-section with the construction of a higher nave between about 1425 and 1440.
The Delft town fire of 1536 and the turmoil of the Protestant Reformation brought a premature end to an ambitious expansion project led by two members of the Keldermans family of master builders. This construction phase resulted in the flat-roofed, stone-walled northern transept arm that differs markedly in style from the older parts.
The great fire, iconoclasm, weather, and the explosion of the town's gunpowder store in 1654 (see Delft Explosion) took their toll on the church and its furnishings, necessitating much repair work over the years. During one renovation, the tower turrets were rebuilt in a more vertical alignment than the leaning body below, giving the tower as a whole a slightly kinked appearance. The current stained-glass windows were crafted by the master glazier Joep Nicolas in the mid-20th century.
The church possesses three pipe organs, from the years 1857 (main organ), 1873 (north aisle) and 1770 (choir).
The most massive bell in the tower, cast in 1570 and called Trinitasklok or Bourdon, weighs nearly nine tonnes, and because of its strong and potentially damaging vibrations, is rung only on such special occasions as the burial of a Dutch royal family member in the nearby New Church. The massive bell is also sounded during disasters, when local air-raid sirens are sounded. This, however, does not happen during the siren's monthly, country-wide test, which happens every first Monday of the month.References:
The moated castle at Beersel is one of the few exceptionally well-preserved examples of medieval fortifications in Belgium. It remains pretty much as it must have appeared in the 15th century. Remarkably, it was never converted into a fortified mansion. A visitor is able to experience at first-hand how it must have felt to live in a heavily fortified castle in the Middle Ages.
The castle was built in around 1420 as a means of defence on the outer reaches of Brussels. The tall, dense walls and towers were intended to hold any besiegers at bay. The moat and the marshy ground along its eastern, southern and western edges made any attack a formidable proposition. For that reason, any attackers would have chosen its weaker northern defences where the castle adjoins higher lying ground. But the castle was only taken and destroyed on one occasion in 1489, by the inhabitants of Brussels who were in rebellion against Maximilian of Austria.
After being stormed and plundered by the rebels it was partially rebuilt. The pointed roofs and stepped gables are features which have survived this period. The reconstruction explains why two periods can be identified in the fabric of the edifice, particularly on the outside.
The red Brabant sandstone surrounds of the embrasures, now more or less all bricked up, are characteristic of the 15th century. The other embrasures, edged with white sandstone, date from the end of the 15th century. They were intended for setting up the artillery fire. The merlons too are in white sandstone. The year 1617 can be clearly seen in the foundation support on the first tower. This refers to restorations carried out at the time by the Arenberg family.
Nowadays, the castle is dominated by three massive towers. The means of defence follow the classic pattern: a wide, deep moat surrounding the castle, a drawbridge, merlons on the towers, embrasures in the walls and in the towers, at more or less regular intervals, and machiolations. Circular, projecting towers ensured that attacks from the side could be thwarted. If the enemy were to penetrate the outer wall, each tower could be defended from embrasures facing onto the inner courtyard.
The second and third towers are flanked by watchtowers from which shots could be fired directly below. Between the second and third tower are two openings in the walkway on the wall. It is not clear what these were used for. Were these holes used for the disposing of rubbish, or escape routes. The windows on the exterior are narrow and low. All light entering comes from the interior. The few larger windows on the exterior date from a later period. It is most probable that the third tower - the highest - was used as a watchtower.