The former Van Nelle Factory (Van Nellefabriek) is considered a prime example of the International Style and Constructivism. It has been a designated World Heritage Site since 2014.
The buildings were designed by architect Leendert van der Vlugt from the Brinkman & Van der Vlugt office in cooperation with civil engineer J.G. Wiebenga, at that time a specialist for constructions in reinforced concrete, and built between 1925 and 1931. It is an example of Nieuwe Bouwen, modern architecture in the Netherlands. It was commissioned by the co-owner of the Van Nelle company, Kees van der Leeuw, on behalf of the owners. Kees van der Leeuw and both company-directors, Matthijs de Bruyn and Bertus Sonneveld, were so impressed by the skills of Van der Vlugt that they commissioned him to design and build private houses for themselves in Rotterdam and nearby Schiedam between 1928 and 1932. The fully renovated Sonneveld House is now a museum in the centre of Rotterdam, with more than 30.000 annual visitors from all over the world.
In the 20th century it was a factory, processing coffee, tea and tobacco and later on additional chewing gum, cigarettes, instant pudding and rice. The operation stopped in 1996. Currently it houses a wide variety of new media and design companies. Some of the areas are used for meetings, conventions and events.
The Van Nelle Factory shows the influence of Russian Constructivism. Mart Stam, who worked during 1926 as employee-designer at the Brinkman & Van der Vlugt office in Rotterdam, came in contact with the Russian Avant-Garde in 1922 in Berlin. In 1926 Mart Stam organized an architecture tour of the Netherlands for the Russian artist El Lissitzky and his wife Sophie Küppers, collector of avant-garde art. They visited Jacobus Oud, Cornelis van Eesteren, Gerrit Rietveld, and other artists.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.