The Royal Palace is one of three palaces in the Netherlands which are at the disposal of the monarch by Act of Parliament. The palace was built as the Town Hall of the City of Amsterdam and was opened as such on 29 July 1655 by Cornelis de Graeff, the political and social leader of Amsterdam. It is now called as the royal palace and used by the monarch for entertaining and official functions during state visits and other official receptions, such as New Year receptions. The award ceremonies of the Erasmus Prize, of the Silver Carnation, of the Royal Awards for Painting, and of the Prince Claus Award are also held in the palace.
The palace was built by Jacob van Campen, who took control of the construction project in 1648. It was built on 13,659 wooden piles and cost 8.5 million gulden. A yellowish sandstone from Bentheim in Germany was used for the entire building. The stone has darkened considerably in the course of time. Marble was the chosen material for the interior.
Jacob van Campen was inspired by Roman administrative palaces. He drew inspiration from the public buildings of Rome. He wanted to build a new capitol for the Amsterdam burgomasters who thought of themselves as the consuls of the new Rome of the North. The technical implementation was looked after by the town construction master Daniël Stalpaert. The sculptures were executed by Artus Quellijn.
On the marble floor of the central hall there are two maps of the world with a celestial hemisphere. The Western and Eastern hemispheres are shown on the maps. The hemispheres detail the area of Amsterdam's colonial influence. The terrestrial hemispheres were made in the mid-18th century. They replaced an earlier pair made in the late 1650s. The originals showed the regions explored by the Dutch East India Company's ships in the first half of the 17th century. This feature may have been inspired by the map of the Roman Empire that had been engraved on marble and placed in the Porticus Vipsania, a public building in ancient Rome.
On top of the palace is a large domed cupola, topped by a weather vane in the form of a cog ship. This ship is a symbol of Amsterdam. Just underneath the dome there are a few windows. From here one could see the ships arrive and leave the harbour.
Paintings inside include works by Govert Flinck (who died before finishing a cycle of twelve huge canvases), Jacob Jordaens, Jan Lievens and Ferdinand Bol. Rembrandt's largest work, The Conspiracy of Claudius Civilis was commissioned for the building, but after hanging for some months was returned to him; the remaining fragment is now in Stockholm.
In its time the building was one of many candidates for the title of the Eighth Wonder of the World. Also, for a long time it was the largest administrative building in Europe.References:
Tyniec Benedictine abbey was founded by King Casimir the Restorer probably around 1044. Casimir decided to rebuild the newly established Kingdom of Poland, after a Pagan rebellion and a disastrous Czech raid of Duke Bretislaus I (1039). The Benedictines, invited to Tyniec by the King, were tasked with restoring order as well as cementing the position of the State and the Church. First Tyniec Abbot was Aaron, who became the Bishop of Kraków. Since there is no conclusive evidence to support the foundation date as 1040, some historians claim that the abbey was founded by Casimir the Restorer’ son, King Boleslaw II the Generous.
In the second half of the 11th century, a complex of Romanesque buildings was completed, consisting of a basilica and the abbey. In the 14th century, it was destroyed in Tatar and Czech raids, and in the 15th century it was rebuilt in Gothic style. Further remodelings took place in the 17th and 18th centuries, first in Baroque, then in Rococo style. The abbey was partly destroyed in the Swedish invasion of Poland, and soon afterwards was rebuilt, with a new library. Further destruction took place during the Bar Confederation, when Polish rebels turned the abbey into their fortress.
In 1816, Austrian authorities liquidated the abbey, and in 1821-1826, it was the seat of the Bishop of Tyniec, Grzegorz Tomasz Ziegler. The monks, however, did not return to the abbey until 1939, and in 1947, remodelling of the neglected complex was initiated. In 1968, the Church of St. Peter and Paul was once again named the seat of the abbot. The church itself consists of a Gothic presbytery and a Baroque main nave. Several altars were created by an 18th-century Italian sculptor Francesco Placidi. The church also has a late Baroque pulpit by Franciszek Jozef Mangoldt.