The earliest data regarding human settlement at Vallimäe in Rakvere come from the Viking Age, an arrowhead from the 9th century and some broken pieces of pottery from this period have been found on the territory of the castle. There is more information about the last centuries of the prehistoric age when an ancient wooden stronghold surrounded by a fence stood in the place of the present convent building.
First written records about the stronghold called Tarvanpea come from the year 1226. In the middle of the 13th century the Danes started to replace the wooden stronghold with a more modern stone fortress.
After Virumaa and Harjumaa passed into the possession of the Livonian Order in 1347, a grand-scale reconstruction of the castle was carried out in several stages. In the first half of the 16th century a convent-type castle with a rectangular main tower was completed, it had strong flanks, a large front yard and an eastern gate consisting of several parts: the outer gate included a pitfall and a drawbridge and the inner gate had a lowered lattice. Living quarters and outbuildings were located in the front yard, near the circular wall.
During the Livonian war (1558–1583) the castle was attacked and damaged by the Russians, but it ended up under Swedish control. From 1602 to 1605 Rakvere fortress fell under the control of the Polish-Lithuanian commonwealth. When they retreated from Rakvere in 1605 during the war with Sweden, they blew up the castle.
Today Rakvere castle is open to the public. In addition to the museum you can taste knights’ favourite drink, a Malvasia wine, made after the oldest recipe at the wine cellar.
References: Museums of Virumaa, 7is7.com
The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.