The construction of the Lille Cathedral began in 1854. The church takes its name from a 12th-century statue of the Virgin Mary. It was built to the Neo-Gothic 13th century style. The initial project was massive: 132 metres long, with spires reaching up to over 115 metres. However, wars and financial difficulties soon put an end to these plans. With the creation of the bishopric of Lille in 1913, the basilica became a cathedral, but the project, although reduced to more modest proportions, began to drag on and the cathedral remained unfinished.
It was not until the 1990s that public funding allowed for the completion of the main facade, which was inaugurated in 1999. Designed by the Lille architect Pierre-Louis Carlier, it is the product of great technical prowess and was made possible by the collaboration of Peter Rice (engineer for the Sydney Opera House and the Pompidou Centre in Paris). The central section is composed of a 30 metres high ogive covered with 110 sheets of white marble 28 millimetres thick, and supported by a metal structure. From the inside, this translucent veil reveals a surprising orange-pink colour.At the top, the glass rose window based on the theme of the Resurrection is the work of the painter Ladislas Kijno. The iron doorway is by the Jewish sculptor Georges Jeanclos.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.