The construction of Church of the Deposition of the Robe was begun in 1484 by masters from Pskov, most likely by the same group of architects who built the adjacent Cathedral of the Annunciation.
The church was built on the site of a previous church, built by Jonah Metropolitan of Moscow in 1451. The name of the church, variously translated as the Church of the Virgin's Robe, The Church of Laying Our Lady’s Holy Robe, The Church of the Veil or simply Church of the Deposition, is said to refer to a festival dating from the 5th century AD, celebrating when the robe of the Virgin Mary was taken from Palestine to Constantinople, where it protected the city from being conquered. For example, tradition says that during the Rus'-Byzantine War of 860 the patriarch placed the Virgin's Robe into the sea, causing a storm that destroyed the invading Rus' ships.
A four-level iconostasis, created by Nazary Istomin Savin in 1627, has been preserved in the church, and has frescoes painted by Ivan Borisov, Sidor Pospeev and Semyon Abramov in 1644. The church itself was built in the traditional Early Russian style. As with the Cathedral of the Annunciation, the intricate interior detail and ornamentation were characteristic of the Russian architecture of this period.
Originally, the church served as the private chapel of the Patriarch of Moscow, but during the mid-17th century it was taken over by the Russian royal family. The church was badly damaged in a fire in 1737 (the same fire that cracked the Tsar Bell).
Today, the church also houses a display of wood sculpture from the 14th to 19th century.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.