Maeshowe is a Neolithic chambered cairn and passage grave. It was probably built around 2800 BCE. It gives its name to the Maeshowe type of chambered cairn, which is limited to Orkney. Maeshowe is a significant example of Neolithic craftsmanship. The monuments around Maeshowe, including Skara Brae, were designated a UNESCO World Heritage Site in 1999.
Maeshowe is one of the largest tombs in Orkney; the mound encasing the tomb is 35m in diameter and rises to a height of 7,3m. Surrounding the mound, at a distance of 15m to 21m is a ditch up to 14m wide. The grass mound hides a complex of passages and chambers built of carefully crafted slabs of flagstone weighing up to 30 tons. It is aligned so that the rear wall of its central chamber held up by a bracketed wall, is illuminated on the winter solstice. A similar display occurs in Newgrange.
Estimates of the amount of effort required to build Maeshowe vary; a commonly suggested number is 39,000 man-hours, although Colin Renfrew calculated that at least 100,000 hours would be required. Dating of the construction of Maeshowe is difficult but dates derived from burials in similar tombs cluster around 3000 BC. Since Maeshowe is the largest and most sophisticated example of the Maeshowe 'type' of tomb, archaeologists have suggested that it is the last of its class, built around 2800 BC. The people who built Maeshowe were users of grooved ware, a distinctive type of pottery that spread throughout the British Isles from about 3000 BC.
A Neolithic 'low road' connects Maeshowe with the magnificently preserved village of Skara Brae, passing near the Standing Stones of Stenness and the Ring of Brodgar. Low roads connect Neolithic ceremonial sites throughout Britain. Some archeologists believe that Maeshowe was originally surrounded by a large stone circle. The complex including Maeshowe, the Ring of Brodgar, the Standing Stones of Stenness, Skara Brae, as well as other tombs and standing stones represents a concentration of Neolithic sites that is rivalled in Britain only by the complexes associated with Stonehenge and Avebury.References:
Tyniec Benedictine abbey was founded by King Casimir the Restorer probably around 1044. Casimir decided to rebuild the newly established Kingdom of Poland, after a Pagan rebellion and a disastrous Czech raid of Duke Bretislaus I (1039). The Benedictines, invited to Tyniec by the King, were tasked with restoring order as well as cementing the position of the State and the Church. First Tyniec Abbot was Aaron, who became the Bishop of Kraków. Since there is no conclusive evidence to support the foundation date as 1040, some historians claim that the abbey was founded by Casimir the Restorer’ son, King Boleslaw II the Generous.
In the second half of the 11th century, a complex of Romanesque buildings was completed, consisting of a basilica and the abbey. In the 14th century, it was destroyed in Tatar and Czech raids, and in the 15th century it was rebuilt in Gothic style. Further remodelings took place in the 17th and 18th centuries, first in Baroque, then in Rococo style. The abbey was partly destroyed in the Swedish invasion of Poland, and soon afterwards was rebuilt, with a new library. Further destruction took place during the Bar Confederation, when Polish rebels turned the abbey into their fortress.
In 1816, Austrian authorities liquidated the abbey, and in 1821-1826, it was the seat of the Bishop of Tyniec, Grzegorz Tomasz Ziegler. The monks, however, did not return to the abbey until 1939, and in 1947, remodelling of the neglected complex was initiated. In 1968, the Church of St. Peter and Paul was once again named the seat of the abbot. The church itself consists of a Gothic presbytery and a Baroque main nave. Several altars were created by an 18th-century Italian sculptor Francesco Placidi. The church also has a late Baroque pulpit by Franciszek Jozef Mangoldt.