Unstan is a particularly well preserved Neolithic chambered cairn, and somewhat unusual, example of an Orkney–Cromarty chambered cairn. Tombs of this type are often referred to as 'stalled' cairns due to their distinctive internal structure. Stalled cairns have a central passageway flanked by a series of paired transverse stones that separate the side spaces into compartments that reminded early investigators of horse stalls. The earliest versions of this tomb type are found in Caithness, they typically consist of no more than four stalled compartments. In Orkney, the tombs became increasingly elaborate; the number of compartments reached a maximum of fourteen at the Knowe of Ramsay on Rousay. Unstan is a more modest example of the form with five chambers flanking a passageway 6.4 metres in length. Like most tombs in Orkney, the original roof is gone, replaced by a modern concrete dome that protects the site. The remaining walls rise to a height of almost 2 metres, and consist primarily of thin stacked slabs of local flagstone that come from the Devonian Old Red Sandstone.
Unstan is also notable in that the first discovery of a distinctive style of pottery was made here in 1884. These pots are the type examples of what has come to be known as Unstan ware. Unstan ware typically consists of elegant shallow bowls with a band of grooved patterning below the rim, created using a technique known as 'stab-and-drag'. A second version consists of undecorated, round-bottomed bowls. Some of the bowls had bits of volcanic rock included in the clay to make them stronger. After firing, bone tools were used to burnish the surfaces to make them shiny and impermeable. Parts of twenty to thirty bowls were found in the tomb, many of them were Unstan ware. Most of the bowls were shattered or incomplete; this is common in chambered cairns and suggests that the vessels were intentionally broken for inclusion with the dead. These bowls were not newly created for use in the tomb – they had clearly seen prior use – as some of the sherds, for example, had impressions of barley grains. A number of fragments were found in a shallow hollow in the clay floor – a pattern seen in other tombs. Several of the reconstructed vessels are in the National Museum of Scotland.
Human remains were found in Unstan – there were two crouched skeletons in the side cell, several more in the main compartment, and a number of bones were scattered throughout the rest of the tomb. Animal bones and charcoal were found as well.
It is possible that Unstan was in use well into the second millennium BC; an arrowhead was discovered in the tomb that is characteristic of the Beaker People who lived from the Late Neolithic into the Bronze Age. Moreover, burials in the crouched position were not practiced in the Neolithic.References:
The Trinity Lavra of St. Sergius is a world famous spiritual centre of the Russian Orthodox Church and a popular site of pilgrimage and tourism. It is the most important working Russian monastery and a residence of the Patriarch. This religious and military complex represents an epitome of the growth of Russian architecture and contains some of that architecture’s finest expressions. It exerted a profound influence on architecture in Russia and other parts of Eastern Europe.
The Trinity Lavra of St. Sergius, was founded in 1337 by the monk Sergius of Radonezh. Sergius achieved great prestige as the spiritual adviser of Dmitri Donskoi, Great Prince of Moscow, who received his blessing to the battle of Kulikov of 1380. The monastery started as a little wooden church on Makovets Hill, and then developed and grew stronger through the ages.
Over the centuries a unique ensemble of more than 50 buildings and constructions of different dates were established. The whole complex was erected according to the architectural concept of the main church, the Trinity Cathedral (1422), where the relics of St. Sergius may be seen.
In 1476 Pskovian masters built a brick belfry east of the cathedral dedicated to the Descent of the Holy Spirit on the Apostles. The church combines unique features of early Muscovite and Pskovian architecture. A remarkable feature of this church is a bell tower under its dome without internal interconnection between the belfry and the cathedral itself.
The Cathedral of the Assumption, echoing the Cathedral of the Assumption in the Moscow Kremlin, was erected between 1559 and 1585. The frescoes of the Assumption Cathedral were painted in 1684. At the north-western corner of the Cathedral, on the site of the western porch, in 1780 a vault containing burials of Tsar Boris Godunov and his family was built.
In the 16th century the monastery was surrounded by 6 meters high and 3,5 meters thick defensive walls, which proved their worth during the 16-month siege by Polish-Lithuanian invaders during the Time of Trouble. They were later strengthened and expanded.
After the Upheaval of the 17th century a large-scale building programme was launched. At this time new buildings were erected in the north-western part of the monastery, including infirmaries topped with a tented church dedicated to Saints Zosima and Sawatiy of Solovki (1635-1637). Few such churches are still preserved, so this tented church with a unique tiled roof is an important contribution to the Lavra.
In the late 17th century a number of new buildings in Naryshkin (Moscow) Baroque style were added to the monastery.
Following a devastating fire in 1746, when most of the wooden buildings and structures were destroyed, a major reconstruction campaign was launched, during which the appearance of many of the buildings was changed to a more monumental style. At this time one of the tallest Russian belfries (88 meters high) was built.
In the late 18th century, when many church lands were secularized, the chaotic planning of the settlements and suburbs around the monastery was replaced by a regular layout of the streets and quarters. The town of Sergiev Posad was surrounded by traditional ramparts and walls. In the vicinity of the monastery a number of buildings belonging to it were erected: a stable yard, hotels, a hospice, a poorhouse, as well as guest and merchant houses. Major highways leading to the monastery were straightened and marked by establishing entry squares, the overall urban development being oriented towards the centrepiece - the Ensemble of the Trinity Sergius Lavra.
In 1993, the Trinity Lavra was inscribed on the UNESCO World Heritage List.