Malchow Abbey is a former Cistercian nunnery founded in 1298, when the nuns from Röbel settled in Alt-Malchow and took over the premises of the former Magdalene community here. Nicholas II, Prince of Werle, gave the new nunnery the patronage of the churches at Alt-Malchow, Neu-Malchow and Lexow. After the Reformation the abbey was a collegiate foundation for noblewomen from 1572 to 1923.
The former abbey building complex is now dominated by the church, which was built between 1844 and 1849 to plans by Friedrich Wilhelm Buttel. These included a 52-metre high brick tower, after the addition of which it was thought necessary to refurbish the nave for aesthetic reasons. Before 1844 the church was a simple stone building.
After a fire in 1888 the church was rebuilt in a Gothic Revival between 1888 and 1890 according to plans by Georg Daniel.
Of the old abbey buildings there still exist the cloister, as well as some ancillary buildings now used for residential purposes.
In the abbey church and the nearby organ courtyard is a permanent exhibition relating to the history of organ-building in Mecklenburg. The Mecklenburg Organ Museum is the first of its sort in the new Bundesländer. In the abbey church itself there is an organ by Friedrich Friese III.
The abbey complex also includes the Engelsche Garten, laid out by, and named after, Johann Jacob Christian Engel (1762–1840), master of the abbey kitchen from 1786 to 1818. It was not completed until 1855/56.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.