Bruchsal Palace (Schloss Bruchsal) is the only Prince-Bishop’s residence on the Upper Rhine. It is famous for its opulent Baroque staircase constructed by Balthasar Neumann. Bruchsal Palace was constructed in 1720 as a residence for the Prince-Bishops of Speyer. The then Prince-Bishop, Damian Hugo von Schönborn, an avid art collector, played an important role in planning the complex. The three-wing palace is built of sandstone. The collection of exquisitely matched buildings, along with the carefully laid out garden, make up an extraordinarily beautiful ensemble.
Visitors entering Bruchsal Palace’s cour d'honneur (three-sided grand courtyard) are greeted with a splendid and colourful sight. The buildings are lavishly painted, decorated with gold-plated stucco, and feature golden gargoyles in the shape of dragons. Construction of the famous staircase by Balthasar Neumann began in 1728. This stunning architectural masterpiece is unsurpassed in terms of its unique style and the poetry of its design. Franz Christoph von Hutten, who resided in the palace after Schönborn, made his mark by decorating the Fürstensaal (Prince’s hall), Marmorsaal (marble hall) and the exquisite Paradezimmer (grand rooms).
The palace complex was almost completely destroyed during the Second World War. Fortunately, the structure of the staircase was mostly preserved. The palace complex’s reconstruction was one of Baden-Württemberg’s most impressive projects of this kind. Today, Bruchsal Palace is more than a breathtaking example of Baroque architecture – it is also the outstanding result of carefully-planned, highly historically accurate reconstruction work.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.