Saint Stephen’s Church in Strasbourg is located inside the catholic ‘Saint-Étienne’ college, for which it serves as a chapel. Saint Stephen's is one of the oldest churches in Strasbourg. The crypt contains the remains of a fifth-century Roman basilica. The site was originally occupied by a Roman fort. A new church was built on the site in early in 717 by Duke Adalbert of Alsace, brother of Saint Odile, as part of a new convent, in which he installed his daughter Attala as the first abbess. The church was rebuilt in 1220 in Romanesque-Gothic style.
At the beginning of the 16th century, St Stephen's was a parish church, the parish of Stephen's being one of the nine parishes of Strasbourg. In 1534, as the reform was being introduced in Strasbourg, the parish of St Stephen's was transferred to St William's, on account of the opposition of the cannonesses of St Stephen's to the new teaching.
In the 17th century Louis XIV closed the abbey and transferred it to the Visitandines to serve as a boarding school for young women, a function which continued up until the French Revolution. In 1714 the church was equipped with an organ by Andreas Silbermann, which is now in Bischheim. After the French Revolution, the building was used as a warehouse, then a synagogue, and finally as a ballroom. In 1802, the church was deprived of its tower and in 1805 this was transformed into a theatre.
The college, of which the church now forms part, began life in 1861 as a 'Petit seminaire' (literally 'little seminary'), educating future priests as well as lay students.
Allied bombing destroyed much of the building in 1944. Only the wide transept with its triple apse survived. In 1956, the ancient site was excavated and a Merovingian apse was discovered beneath the foundations of the old tower. In 1961, the nave was renovated, exposing the timber structures. The church was classified as a historical monument in 1962.
As the Church is now part of a school, public access is only possible on special occasions, such as European Heritage Days. The school owns some valuable historical tapestries from the abbey church, some of which can be seen in the nearby Notre Dame museum.References:
Monastery of São Vicente de Fora (Monastery of St. Vincent Outside the Walls) is a 17th-century church and monastery in the city of Lisbon. It is one of the most important monasteries and mannerist buildings in the country. The monastery also contains the royal pantheon of the Braganza monarchs of Portugal.
The original Monastery of São Vicente de Fora was founded around 1147 by the first Portuguese King, Afonso Henriques, for the Augustinian Order. The Monastery, built in Romanesque style outside the city walls, was one of the most important monastic foundations in mediaeval Portugal. It is dedicated to Saint Vincent of Saragossa, patron saint of Lisbon, whose relics were brought from the Algarve to Lisbon in the 12th century.
The present buildings are the result of a reconstruction ordered by King Philip II of Spain, who had become King of Portugal (as Philip I) after a succession crisis in 1580. The church of the monastery was built between 1582 and 1629, while other monastery buildings were finished only in the 18th century. The author of the design of the church is thought to be the Italian Jesuit Filippo Terzi and/or the Spaniard Juan de Herrera. The plans were followed and modified by Leonardo Turriano, Baltazar Álvares, Pedro Nunes Tinoco and João Nunes Tinoco.
The church of the Monastery has a majestic, austere façade that follows the later Renaissance style known as Mannerism. The façade, attributed to Baltazar Álvares, has several niches with statues of saints and is flanked by two towers (a model that would become widespread in Portugal). The lower part of the façade has three arches that lead to the galilee (entrance hall). The floorplan of the church reveals a Latin cross building with a one-aisled nave with lateral chapels. The church is covered by barrel vaulting and has a huge dome over the crossing. The general design of the church interior follows that of the prototypic church of Il Gesù, in Rome.
The beautiful main altarpiece is a Baroque work of the 18th century by one of the best Portuguese sculptors, Joaquim Machado de Castro. The altarpiece has the shape of a baldachin and is decorated with a large number of statues. The church also boasts several fine altarpieces in the lateral chapels.
The Monastery buildings are reached through a magnificent baroque portal, located beside the church façade. Inside, the entrance is decorated with blue-white 18th century tiles that tell the history of the Monastery, including scenes of the Siege of Lisbon in 1147. The ceiling of the room has an illusionistic painting executed in 1710 by the Italian Vincenzo Baccarelli. The sacristy of the Monastery is exuberantly decorated with polychromed marble and painting. The cloisters are also notable for the 18th century tiles that recount fables of La Fontaine, among other themes.
In 1834, after the religious orders were dissolved in Portugal, the monastery was transformed into a palace for the archbishops of Lisbon. Some decades later, King Ferdinand II transformed the monks' old refectory into a pantheon for the kings of the House of Braganza. Their tombs were transferred from the main chapel to this room.