Saint Stephen’s Church in Strasbourg is located inside the catholic ‘Saint-Étienne’ college, for which it serves as a chapel. Saint Stephen's is one of the oldest churches in Strasbourg. The crypt contains the remains of a fifth-century Roman basilica. The site was originally occupied by a Roman fort. A new church was built on the site in early in 717 by Duke Adalbert of Alsace, brother of Saint Odile, as part of a new convent, in which he installed his daughter Attala as the first abbess. The church was rebuilt in 1220 in Romanesque-Gothic style.
At the beginning of the 16th century, St Stephen's was a parish church, the parish of Stephen's being one of the nine parishes of Strasbourg. In 1534, as the reform was being introduced in Strasbourg, the parish of St Stephen's was transferred to St William's, on account of the opposition of the cannonesses of St Stephen's to the new teaching.
In the 17th century Louis XIV closed the abbey and transferred it to the Visitandines to serve as a boarding school for young women, a function which continued up until the French Revolution. In 1714 the church was equipped with an organ by Andreas Silbermann, which is now in Bischheim. After the French Revolution, the building was used as a warehouse, then a synagogue, and finally as a ballroom. In 1802, the church was deprived of its tower and in 1805 this was transformed into a theatre.
The college, of which the church now forms part, began life in 1861 as a 'Petit seminaire' (literally 'little seminary'), educating future priests as well as lay students.
Allied bombing destroyed much of the building in 1944. Only the wide transept with its triple apse survived. In 1956, the ancient site was excavated and a Merovingian apse was discovered beneath the foundations of the old tower. In 1961, the nave was renovated, exposing the timber structures. The church was classified as a historical monument in 1962.
As the Church is now part of a school, public access is only possible on special occasions, such as European Heritage Days. The school owns some valuable historical tapestries from the abbey church, some of which can be seen in the nearby Notre Dame museum.References:
Royal Palace of Naples was one of the four residences near Naples used by the Bourbon Kings during their rule of the Kingdom of the Two Sicilies (1734-1860): the others were the palaces of Caserta, Capodimonte overlooking Naples, and the third Portici, on the slopes of Vesuvius.
Construction on the present building was begun in the 17th century by the architect Domenico Fontana. Intended to house the King Philip III of Spain on a visit never fulfilled to this part of his kingdom, instead it initially housed the Viceroy Fernando Ruiz de Castro, count of Lemos. By 1616, the facade had been completed, and by 1620, the interior was frescoed by Battistello Caracciolo, Giovanni Balducci, and Belisario Corenzio. The decoration of the Royal Chapel of Assumption was not completed until 1644 by Antonio Picchiatti.
In 1734, with the arrival of Charles III of Spain to Naples, the palace became the royal residence of the Bourbons. On the occasion of his marriage to Maria Amalia of Saxony in 1738, Francesco De Mura and Domenico Antonio Vaccaro helped remodel the interior. Further modernization took place under Ferdinand I of the Two Sicilies. In 1768, on the occasion of his marriage to Maria Carolina of Austria, under the direction of Ferdinando Fuga, the great hall was rebuilt and the court theater added. During the second half of the 18th century, a 'new wing' was added, which in 1927 became the Vittorio Emanuele III National Library. By the 18th century, the royal residence was moved to Reggia of Caserta, as that inland town was more defensible from naval assault, as well as more distant from the often-rebellious populace of Naples.
During the Napoleonic occupation the palace was enriched by Joachim Murat and his wife, Caroline Bonaparte, with Neoclassic decorations and furnishings. However, a fire in 1837 damaged many rooms, and required restoration from 1838 to 1858 under the direction of Gaetano Genovese. Further additions of a Party Wing and a Belvedere were made in this period. At the corner of the palace with San Carlo Theatre, a new facade was created that obscured the viceroyal palace of Pedro de Toledo.
In 1922, it was decided to transfer here the contents of the National Library. The transfer of library collections was made by 1925.
The library suffered from bombing during World War II and the subsequent military occupation of the building caused serious damage. Today, the palace and adjacent grounds house the famous Teatro San Carlo, the smaller Teatrino di Corte (recently restored), the Biblioteca Nazionale Vittorio Emanuele III, a museum, and offices, including those of the regional tourist board.