Säckingen Abbey is a former Roman Catholic abbey founded in the 6th or 7th century by Fridolin of Säckingen, an Irish monk. While the Abbey had both monks and nuns, only the nuns' convent grew to be an important religious, economic and cultural institution for the entire upper Rhine.
Little is known about the early history of the Abbey before the 9th century. On 10 February 878, the Emperor Charles the Fat gave his wife Richardis the monasteries of Säckingen, of St. Felix and of Regula in Zurich as a royal estate. This grant included extensive political rights and a large estate, which covered land in the Rhine and Frick valleys, the southern Hotzenwald, and lands in Zurich along Lake Walen and the valley of Glarus.
In 1173 Emperor Frederick Barbarossa granted rights to the Imperial bailiwick of Säckingen Abbey to Count Albert III of Habsburg. This was the foundation for the development of Habsburg territorial sovereignty over Säckingen. In 1307 the abbess of Säckingen was elevated to the rank of Reichsfürst or Imperial Prince. In 1395, the Glarus valley broke away from the Abbey and became independent, yet retained the image of St. Fridolin as the coat of arms of their canton.
Between 1565 and 1575 the Abbey buildings were renovated and expanded. Then, in 1806 the Abbey was closed. On 12 June 1806, representatives of twelve German princes met with Napoleon to form the Confederation of the Rhine. As part of the agreement, the Abbey was closed and all the Abbey's property was transferred to the Grand Duke of Baden.
As of 2010 the buildings are used by the Caritas Catholic charity as a community center.References:
Monastery of São Vicente de Fora (Monastery of St. Vincent Outside the Walls) is a 17th-century church and monastery in the city of Lisbon. It is one of the most important monasteries and mannerist buildings in the country. The monastery also contains the royal pantheon of the Braganza monarchs of Portugal.
The original Monastery of São Vicente de Fora was founded around 1147 by the first Portuguese King, Afonso Henriques, for the Augustinian Order. The Monastery, built in Romanesque style outside the city walls, was one of the most important monastic foundations in mediaeval Portugal. It is dedicated to Saint Vincent of Saragossa, patron saint of Lisbon, whose relics were brought from the Algarve to Lisbon in the 12th century.
The present buildings are the result of a reconstruction ordered by King Philip II of Spain, who had become King of Portugal (as Philip I) after a succession crisis in 1580. The church of the monastery was built between 1582 and 1629, while other monastery buildings were finished only in the 18th century. The author of the design of the church is thought to be the Italian Jesuit Filippo Terzi and/or the Spaniard Juan de Herrera. The plans were followed and modified by Leonardo Turriano, Baltazar Álvares, Pedro Nunes Tinoco and João Nunes Tinoco.
The church of the Monastery has a majestic, austere façade that follows the later Renaissance style known as Mannerism. The façade, attributed to Baltazar Álvares, has several niches with statues of saints and is flanked by two towers (a model that would become widespread in Portugal). The lower part of the façade has three arches that lead to the galilee (entrance hall). The floorplan of the church reveals a Latin cross building with a one-aisled nave with lateral chapels. The church is covered by barrel vaulting and has a huge dome over the crossing. The general design of the church interior follows that of the prototypic church of Il Gesù, in Rome.
The beautiful main altarpiece is a Baroque work of the 18th century by one of the best Portuguese sculptors, Joaquim Machado de Castro. The altarpiece has the shape of a baldachin and is decorated with a large number of statues. The church also boasts several fine altarpieces in the lateral chapels.
The Monastery buildings are reached through a magnificent baroque portal, located beside the church façade. Inside, the entrance is decorated with blue-white 18th century tiles that tell the history of the Monastery, including scenes of the Siege of Lisbon in 1147. The ceiling of the room has an illusionistic painting executed in 1710 by the Italian Vincenzo Baccarelli. The sacristy of the Monastery is exuberantly decorated with polychromed marble and painting. The cloisters are also notable for the 18th century tiles that recount fables of La Fontaine, among other themes.
In 1834, after the religious orders were dissolved in Portugal, the monastery was transformed into a palace for the archbishops of Lisbon. Some decades later, King Ferdinand II transformed the monks' old refectory into a pantheon for the kings of the House of Braganza. Their tombs were transferred from the main chapel to this room.