Säckingen Abbey is a former Roman Catholic abbey founded in the 6th or 7th century by Fridolin of Säckingen, an Irish monk. While the Abbey had both monks and nuns, only the nuns' convent grew to be an important religious, economic and cultural institution for the entire upper Rhine.
Little is known about the early history of the Abbey before the 9th century. On 10 February 878, the Emperor Charles the Fat gave his wife Richardis the monasteries of Säckingen, of St. Felix and of Regula in Zurich as a royal estate. This grant included extensive political rights and a large estate, which covered land in the Rhine and Frick valleys, the southern Hotzenwald, and lands in Zurich along Lake Walen and the valley of Glarus.
In 1173 Emperor Frederick Barbarossa granted rights to the Imperial bailiwick of Säckingen Abbey to Count Albert III of Habsburg. This was the foundation for the development of Habsburg territorial sovereignty over Säckingen. In 1307 the abbess of Säckingen was elevated to the rank of Reichsfürst or Imperial Prince. In 1395, the Glarus valley broke away from the Abbey and became independent, yet retained the image of St. Fridolin as the coat of arms of their canton.
Between 1565 and 1575 the Abbey buildings were renovated and expanded. Then, in 1806 the Abbey was closed. On 12 June 1806, representatives of twelve German princes met with Napoleon to form the Confederation of the Rhine. As part of the agreement, the Abbey was closed and all the Abbey's property was transferred to the Grand Duke of Baden.
As of 2010 the buildings are used by the Caritas Catholic charity as a community center.References:
Royal Palace of Naples was one of the four residences near Naples used by the Bourbon Kings during their rule of the Kingdom of the Two Sicilies (1734-1860): the others were the palaces of Caserta, Capodimonte overlooking Naples, and the third Portici, on the slopes of Vesuvius.
Construction on the present building was begun in the 17th century by the architect Domenico Fontana. Intended to house the King Philip III of Spain on a visit never fulfilled to this part of his kingdom, instead it initially housed the Viceroy Fernando Ruiz de Castro, count of Lemos. By 1616, the facade had been completed, and by 1620, the interior was frescoed by Battistello Caracciolo, Giovanni Balducci, and Belisario Corenzio. The decoration of the Royal Chapel of Assumption was not completed until 1644 by Antonio Picchiatti.
In 1734, with the arrival of Charles III of Spain to Naples, the palace became the royal residence of the Bourbons. On the occasion of his marriage to Maria Amalia of Saxony in 1738, Francesco De Mura and Domenico Antonio Vaccaro helped remodel the interior. Further modernization took place under Ferdinand I of the Two Sicilies. In 1768, on the occasion of his marriage to Maria Carolina of Austria, under the direction of Ferdinando Fuga, the great hall was rebuilt and the court theater added. During the second half of the 18th century, a 'new wing' was added, which in 1927 became the Vittorio Emanuele III National Library. By the 18th century, the royal residence was moved to Reggia of Caserta, as that inland town was more defensible from naval assault, as well as more distant from the often-rebellious populace of Naples.
During the Napoleonic occupation the palace was enriched by Joachim Murat and his wife, Caroline Bonaparte, with Neoclassic decorations and furnishings. However, a fire in 1837 damaged many rooms, and required restoration from 1838 to 1858 under the direction of Gaetano Genovese. Further additions of a Party Wing and a Belvedere were made in this period. At the corner of the palace with San Carlo Theatre, a new facade was created that obscured the viceroyal palace of Pedro de Toledo.
In 1922, it was decided to transfer here the contents of the National Library. The transfer of library collections was made by 1925.
The library suffered from bombing during World War II and the subsequent military occupation of the building caused serious damage. Today, the palace and adjacent grounds house the famous Teatro San Carlo, the smaller Teatrino di Corte (recently restored), the Biblioteca Nazionale Vittorio Emanuele III, a museum, and offices, including those of the regional tourist board.