The Drususstein (Drusus stone) is a nearly 20 metres high masonry block of Roman origin on the grounds of the citadel of Mainz. It was originally cast in marble. Researchers now largely accept that this is the structural remnant of the cenotaph mentioned by writers like Eutropius and Suetonius, erected in 9 BC by Roman troops in honour of the deceased general Drusus, in Mogontiacum (now Mainz) as part of the roman funerary art.
During the early days of the Principate the Drususstein was the starting point for elaborate memorial services in honour of Drusus, and the centre of the imperial cult in Mogontiacum. A procession road linked it to the public theater of Mogontiacum that had about 12,000 seats, making it the largest known theater north of the Alps. It may have hosted a part of the annual ceremonies at the day of Drusus' death, and probably also at his birthday.
After being robbed of its marble casing in the early Middle Ages, the Drususstein served as a watchtower in the fortifications of the city in the 16th century. For that purpose a staircase and doorframe were made in the structure, which had been up to that point a massive building. Besides the pillars of aqueducts and the stage of the theatre, the Drususstein is one of the few remaining visible reminders of Roman Mogontiacum. Together with the Igel Column, it is the only funerary monument north of the Alps dating from antiquity that remains in its original location.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.