The Drususstein (Drusus stone) is a nearly 20 metres high masonry block of Roman origin on the grounds of the citadel of Mainz. It was originally cast in marble. Researchers now largely accept that this is the structural remnant of the cenotaph mentioned by writers like Eutropius and Suetonius, erected in 9 BC by Roman troops in honour of the deceased general Drusus, in Mogontiacum (now Mainz) as part of the roman funerary art.
During the early days of the Principate the Drususstein was the starting point for elaborate memorial services in honour of Drusus, and the centre of the imperial cult in Mogontiacum. A procession road linked it to the public theater of Mogontiacum that had about 12,000 seats, making it the largest known theater north of the Alps. It may have hosted a part of the annual ceremonies at the day of Drusus' death, and probably also at his birthday.
After being robbed of its marble casing in the early Middle Ages, the Drususstein served as a watchtower in the fortifications of the city in the 16th century. For that purpose a staircase and doorframe were made in the structure, which had been up to that point a massive building. Besides the pillars of aqueducts and the stage of the theatre, the Drususstein is one of the few remaining visible reminders of Roman Mogontiacum. Together with the Igel Column, it is the only funerary monument north of the Alps dating from antiquity that remains in its original location.
References:The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.