Vaduz Castle is the palace and official residence of the Prince of Liechtenstein. The castle gave its name to the town of Vaduz, the capital of Liechtenstein, which it overlooks from an adjacent hilltop. The erstwhile owners - presumably also the builders - were the Counts of Werdenberg-Sargans. The Bergfried (keep, 12th century) and parts of the eastern side are the oldest. The tower stands on a piece of ground some 12 x 13 metres and has a wall thickness on the ground floor of up to 4 m. The original entrance lay at the courtyard side at a height of 11 metres. The chapel of St. Anna was presumably built in the Middle Ages as well. The main altar is late-Gothic. In the Swabian War of 1499, the castle was burned by the Swiss Confederacy. The western side was expanded by Count Kaspar von Hohenems (1613–1640).
The Princely Family of Liechtenstein acquired Vaduz Castle in 1712 when it purchased the countship of Vaduz. At this time, Charles VI, Holy Roman Emperor, combined the countship with the Lordship of Schellenberg, purchased by the Liechtensteins in 1699, to form the present Principality of Liechtenstein. During the medieval days of the principality, the prince could have sought refuge in the castle from a potential peasant uprising.
The castle underwent a major restoration between 1905 and 1920, then again in the early 1920s during the reign of Prince Johann II, and was expanded during the early 1930s by Prince Franz Joseph II. Since 1938, the castle has been the primary residence of Liechtenstein's Princely Family. The castle is not open to the public as the princely family still lives in the castle.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.