The history of Puurmani Manor (in German: Schloß Talkhof) dates back to the Middle Ages when a castle of the Order was located here. It was a residence of the Vogt of the Order. The castle was built to protect the crossing point of River Pedja and the main road between Tartu and Tallinn.
Later the place of the former castle was turned into a manor. The Estonian name of the estate stems from the Buhrmeister family, who were the owners in the Swedish times after having been given the manor in 1645 by Queen Kristina. By 1919, the year of expropriation, the estate was owned by the aristocratic von Manteuffel family.
The present neo-Renaissance styled main building was built by Ernst von Manteuffel in 1860’s. One of the palace's frontal corners is emphasized by a five-floored octagonal tower. Both the tower and the facade of the building are richly decorated. In the interior design Neo-Renaissance is combined with Neo-Baroque.
The Puurmani park and estate complex is under national protection. More than 50 species of trees and bushes can be found in the well organized park, which is divided into two parts. The front of the manor is arranged symmetrically according to the French style. The part behind the building exhibits the English style with its informal landscape gardening. Linden alleys and red brick fences also enhance the beauty of the park.
Lübeck Cathedral is a large brick-built Lutheran cathedral in Lübeck, Germany and part of the Lübeck UNESCO World Heritage Site. In 1173 Henry the Lion founded the cathedral to serve the Diocese of Lübeck, after the transfer in 1160 of the bishop's seat from Oldenburg in Holstein under bishop Gerold. The then Romanesque cathedral was completed around 1230, but between 1266 and 1335 it was converted into a Gothic-style building with side-aisles raised to the same height as the main aisle.
On the night of Palm Sunday (28–29 March) 1942 a Royal Air Force bombing raid destroyed a fifth of the town centre. Several bombs fell in the area around the church, causing the eastern vault of the quire to collapse and destroying the altar which dated from 1696. A fire from the neighbouring cathedral museum spread to the truss of the cathedral, and around noon on Palm Sunday the towers collapsed. An Arp Schnitger organ was lost in the flames. Nevertheless, a relatively large portion of the internal fittings was saved, including the cross and almost all of the medieval polyptychs. In 1946 a further collapse, of the gable of the north transept, destroyed the vestibule almost completely.
Reconstruction of the cathedral took several decades, as greater priority was given to the rebuilding of the Marienkirche. Work was completed only in 1982.
The cathedral is unique in that at 105 m, it is shorter than the tallest church in the city. This is the consequence of a power struggle between the church and the guilds.
The 17 m crucifix is the work of the Lübeck artist Bernt Notke. It was commissioned by the bishop of Lübeck, Albert II. Krummendiek, and erected in 1477. The carvings which decorate the rood screen are also by Notke.
Since the war, the famous altar of Hans Memling has been in the medieval collection of the St. Annen Museum, but notable polyptychs remain in the cathedral.
In the funeral chapels of the southern aisle are Baroque-era memorials by the Flemish sculptor Thomas Quellinus.