St. John's Church was probably built in the first third of the 14th century as a three-nave basilica. The church was damaged in the Russian- Livonian War in the 16th century; lightning has set its spire on fire several times. Some parts of the church were destroyed in the Great Nordic War in 1708.
In the end of 19th century external walls of St. John's Church were cleaned of limewash, the original shape of the choir windows was restored and new external figures were made of instead of the destroyed ones. The building was reconstructed in the Neo-classicism style in 1930’s. During World War II, the church caught fire. The damage was so extensive that an unknown and rich interior decoration was discovered the beneath the destroyed plaster sheet. There have been over a thousand sculptures in the internal and external walls of the construction. There is no other brick church decorated with so much terracotta plastic in Europe.
There are fifteen figures in the triple arch niches of the fronton which represent Judgement Day. On the facade and two sides of the tower there are other figures since the tower's frieze consisting of quaternion foils with a human head continuing in each quaternor foil on the sides of the longitudinal building as well. There are friezes and niches decorated with sculptures in the interior as well.
However, the western wall, with numerous niches with sculptures and pseudotriforium located above the arcades in the niches of which there are figures sitting on a throne, deserves special attention. In the eastern wall, above the triumphal arch, there is a large terracotta group: Christ on a cross and Mary and John beneath the cross.
Reference: Tartu Tourist Information
Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.