St. John's Church was probably built in the first third of the 14th century as a three-nave basilica. The church was damaged in the Russian- Livonian War in the 16th century; lightning has set its spire on fire several times. Some parts of the church were destroyed in the Great Nordic War in 1708.
In the end of 19th century external walls of St. John's Church were cleaned of limewash, the original shape of the choir windows was restored and new external figures were made of instead of the destroyed ones. The building was reconstructed in the Neo-classicism style in 1930’s. During World War II, the church caught fire. The damage was so extensive that an unknown and rich interior decoration was discovered the beneath the destroyed plaster sheet. There have been over a thousand sculptures in the internal and external walls of the construction. There is no other brick church decorated with so much terracotta plastic in Europe.
There are fifteen figures in the triple arch niches of the fronton which represent Judgement Day. On the facade and two sides of the tower there are other figures since the tower's frieze consisting of quaternion foils with a human head continuing in each quaternor foil on the sides of the longitudinal building as well. There are friezes and niches decorated with sculptures in the interior as well.
However, the western wall, with numerous niches with sculptures and pseudotriforium located above the arcades in the niches of which there are figures sitting on a throne, deserves special attention. In the eastern wall, above the triumphal arch, there is a large terracotta group: Christ on a cross and Mary and John beneath the cross.
Reference: Tartu Tourist Information
Castel del Monte, located in the municipality of Andria, rises on a rocky hill dominating the surrounding countryside of the Murgia region. A unique piece of medieval architecture, it was completed in 1240. The castle’s location, its perfect octagonal shape, as well as the mathematical and astronomical precision of its layout all reflect the broad education and cultural vision of its founder, Emperor Frederick II.
As a leader of modern humanism, the Germanic Emperor brought scholars together in his court from throughout the Mediterranean, combining Eastern and Western traditions. The castle’s unique design, an octagonal plan with octagonal towers at each angle, represents a search for perfection. Interior features reflect Eastern influences, such as the innovative hydraulic installation used by Frederick II for bathing in accord to the typical Arabic customs.
The site is of outstanding universal value in its formal perfection and its harmonious blending of cultural elements from northern Europe, the Muslim world and classical antiquity. Castel del Monte is a unique masterpiece of medieval architecture, reflecting the humanist ideas of its founder, Frederick II of Hohenstaufen.