Ackergill Tower was built in the early 16th century. The Clan Keith, under John Keith of Inverugie, inherited the lands of Ackergill in 1354 from the Cheynes family. The Tower may have been built by his son, but was first mentioned in 1538.
A legend relates the tale of a young woman by the name of Helen Gunn, who was abducted by John Keith for her beauty. She flung herself, or fell, from the highest tower to escape her abductor's advances. Supposedly her ghost is still seen, wearing a long red rustling ball gown and a tall head of black hair. This was in the late 14th or early 15th century and is said to have been the true beginning for all feuding between the Gunns and the Keiths. It led to the Battle of Champions in either 1478 or 1464, a judicial combat which led to a massacre of the Gunns by the Keiths at the chapel of St Tear (or Tayre) just east of the village.
In 1547, the Sinclairs of Girnigoe attacked and seized the castle. Mary of Guise, then Regent of Scotland, granted the Sinclairs remission for this and returned Ackergill Tower to the Keiths. She later installed Laurence Oliphant, 4th Lord Oliphant, as keeper of Ackergill in 1549. The Sinclairs again captured the castle in 1556, for which they were again granted remission.
In 1593, Robert Keith, brother to William Keith, 6th Earl Marischal (who rightfully owned the tower), seized Ackergill by force, for which he was declared a rebel, and the castle was returned to the Earl. In 1598, another Keith, one John Keith of Subster, attacked the tower in the dead of night, taking its occupants by surprise and capturing the place.
In 1612, the Sinclairs acquired Ackergill Tower once again, but through legal means, when it was sold to the Earl of Caithness by the Earl Marischal. However, by 1623 it was under assault once more, when it was besieged by Sir Robert Gordon during his feud with George Sinclair, 5th Earl of Caithness. The Sinclairs surrendered the castle before any assault took place.
In 1651, Oliver Cromwell may have used Ackergill Tower to garrison his troops during his siege of the Keith's Dunnottar Castle, when he was hunting for the Honours of Scotland. In 1676, John Campbell, 2nd Earl of Breadalbane and Holland took possession of Ackergill Tower in repayment of debts owed to him by the Sinclairs.
John Campbell put Ackergill Tower up for sale in 1699, and it was bought by Sir William Dunbar of Hempriggs. The Dunbars began extensive renovations, including the addition of a lean-to-shaped extension to the tower. In the mid-19th century, further additions including a cap house were made by the architect David Bryce on behalf of George Sutherland Dunbar, 7th Lord Duffus. It remained in the hands of the Dunbars of Hempriggs until 1986, when it was sold. The castle underwent a two-year period of restoration work before opening as an exclusive hotel and business venue.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.