Duart Castle dates back to the 13th century and is the seat of Clan MacLean. In 1647, Duart Castle was attacked and laid siege to by the Argyll government troops of Clan Campbell, but they were defeated and driven off by the Royalist troops of Clan MacLean. In September 1653, a Cromwellian task force of six ships anchored off the castle, but the Macleans had already fled to Tiree. A storm blew up on the 13 September and three ships were lost, including HMS Swan.
In 1678, Archibald Campbell, 9th Earl of Argyll, son of the Marquess of Argyll, successfully invaded the Clan MacLean lands on the Isle of Mull and Sir John Maclean, 4th Baronet fled the castle and withdrew to Cairnbulg Castle, and afterward to Kintail under the protection of the Earl of Seaforth. In 1691 Duart Castle was surrendered by Sir John Maclean, 4th Baronet to Archibald Campbell, 1st Duke of Argyll. The Campbell clan demolished the castle, and the stones from the walls were scattered. Donald Maclean, 5th Laird of Torloisk used some of the stones to build a cottage for his family close to the site of the castle. By 1751 the remains of the castle were abandoned.
Descendants of Archibald Campbell, 1st Duke of Argyll sold the castle in 1801, to MacQuarrie, who then sold it to Carter-Campbell of Possil who kept it as a ruin within the grounds of his own estate to the north, Torosay Castle. He later sold his Torosay Estate which now included the ruins of Castle Duart to A. C. Guthrie in 1865. On 11 September 1911, the ruin was separated from the rest of the Torosay Estate and was bought by Sir Fitzroy Donald Maclean, the 26th Chief of the Clan MacLean and restored.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.