Keills Chapel is a simple, rectangular chapel dedicated to St Cormac. It is one of few churches from the 1100s and 1200s surviving in Argyll. The chapel served as the parish church of Knapdale until the parish was split into two in 1734.
The church site contains almost 40 carved stones, ranging in date from the 8th to the 16th century. Pre-eminent among them is the 8th-century Keills Cross. This free-standing, ring-headed high cross, carved from blue slate, stands some 2m high. Only one face is decorated. Panels of spiral ornament, animals and key-interlace decorate the shaft. The centre of the cross-head has a raised, circular boss hollowed in the middle. The cross was most likely made by a craftsman from Iona, where three more fine high crosses can be seen.
The collection also includes fragments of another early Christian free-standing cross and four early Christian, cross-decorated grave-slabs. The remainder comprises late-medieval sculpture, mostly grave-slabs. These are generally long, tapering stones decorated with a variety of motifs, among them swords, targes (shields), crosses and craftsmen’s tools. The impressive collection of grave-slabs includes examples from all five ‘schools’ of sculptors working for West Highland patrons in the later Middle Ages (1300s—1500s). These sculptors worked in Knapdale as well as at Iona, Loch Awe, Kintyre and Loch Sween.References:
The Castle of Gruyères is one of the most famous in Switzerland. It was built between 1270 and 1282, following the typical square plan of the fortifications in Savoy. It was the property of the Counts of Gruyères until the bankruptcy of the Count Michel in 1554. His creditors the cantons of Fribourg and Bern shared his earldom. From 1555 to 1798 the castle became residence to the bailiffs and then to the prefects sent by Fribourg.
In 1849 the castle was sold to the Bovy and Balland families, who used the castle as their summer residency and restored it. The castle was then bought back by the canton of Fribourg in 1938, made into a museum and opened to the public. Since 1993, a foundation ensures the conservation as well as the highlighting of the building and the art collection.
The castle is the home of three capes of the Order of the Golden Fleece. They were part of the war booty captured by the Swiss Confederates (which included troops from Gruyères) at the Battle of Morat against Charles the Bold, Duke of Burgundy in 1476. As Charles the Bold was celebrating the anniversary of his father's death, one of the capes is a black velvet sacerdotal vestment with Philip the Good's emblem sewn into it.
A collection of landscapes by 19th century artists Jean-Baptiste-Camille Corot, Barthélemy Menn and others are on display in the castle.