Keills Chapel is a simple, rectangular chapel dedicated to St Cormac. It is one of few churches from the 1100s and 1200s surviving in Argyll. The chapel served as the parish church of Knapdale until the parish was split into two in 1734.
The church site contains almost 40 carved stones, ranging in date from the 8th to the 16th century. Pre-eminent among them is the 8th-century Keills Cross. This free-standing, ring-headed high cross, carved from blue slate, stands some 2m high. Only one face is decorated. Panels of spiral ornament, animals and key-interlace decorate the shaft. The centre of the cross-head has a raised, circular boss hollowed in the middle. The cross was most likely made by a craftsman from Iona, where three more fine high crosses can be seen.
The collection also includes fragments of another early Christian free-standing cross and four early Christian, cross-decorated grave-slabs. The remainder comprises late-medieval sculpture, mostly grave-slabs. These are generally long, tapering stones decorated with a variety of motifs, among them swords, targes (shields), crosses and craftsmen’s tools. The impressive collection of grave-slabs includes examples from all five ‘schools’ of sculptors working for West Highland patrons in the later Middle Ages (1300s—1500s). These sculptors worked in Knapdale as well as at Iona, Loch Awe, Kintyre and Loch Sween.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.