The Clava cairn is a type of Bronze Age circular chamber tomb cairn, named after the group of 3 cairns at Balnuaran of Clava, to the east of Inverness. There are about 50 cairns of this type in an area round about Inverness.
At Balnuaran of Clava itself there is a group of three Bronze Age cairns which lie close together in a line running north east to south west. The tombs at either end are of the passage grave sub-type. The central cairn is of the ring cairn sub-type, and uniquely has stone paths or causeways forming 'rays' radiating out from the platform round the kerbs to three of the standing stones. The cairns incorporate cup and ring mark stones, carved before they were built into the structures. The kerb stones are graded in size and selected for colour, so that the stones are larger and redder to the south west, and smaller and whiter to the north east. All these elements seem to have been constructed as one operation and indicate a complex design rather than ad hoc additions.
The ring round the northern Balnuaran of Clava cairn was measured and analysed by Professor Alexander Thom. He found that the ring was slightly egg-shaped with a complex geometry of circles and ellipses which could be set out around a central triangle, using sizes which are close to whole multiples of what he called the Megalithic yard. While the geometry of the shape is generally accepted, the Megalithic Yard is more controversial.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.