Stirling Castle is one of the largest and most important castles, both historically and architecturally, in Scotland. The castle is a great symbol of Scottish Independence and a source of enduring national pride. Its strategic location, guarding what was, until the 1890s, the farthest downstream crossing of the River Forth, has made it an important fortification from the earliest times. Stirling Castle is a Scheduled Ancient Monument, and is now a tourist attraction managed by Historic Scotland.
The legacy of Stirling’s long history is complex. It is first mentioned around 1110, in Alexander I’s reign; he died here in 1124. Throughout the Wars of Independence with England (1296–1356), Stirling was hotly fought over, changing hands frequently. Bloody battles were fought in its shadow – Wallace’s great victory over Edward I at Stirling Bridge (1297), and Bruce’s decisive encounter with Edward II at Bannockburn (1314). Bruce then destroyed the castle to prevent it falling into enemy hands again.
Stirling was the favoured residence of most of Scotland’s later medieval monarchs. Most contributed to its impressive architecture. In James IV’s reign (1488–1513), Scotland was increasingly receptive to Classical ideas spreading across Europe from Renaissance Italy. James spent much time and money making the castle fit for a European monarch, chiefly to impress his queen, Margaret Tudor, daughter of Henry VII of England.
His legacy was continued by his son, James V, equally determined to impress his second bride, Queen Mary of Guise. Their daughter, Mary Queen of Scots, was crowned here in 1543, and Mary Queen of Scots’ own son, the future James VI, was baptised here in 1566. The celebrations culminated in a fireworks display on the Esplanade, the first recorded use in Scotland.
At the castle's heart lies the Inner Close, around which are ranged the most important buildings – the King’s Old Building (built for James IV in 1496), the Great Hall (James IV around 1503), the Palace (James V around 1540) and the Chapel Royal (James VI in 1594). Around the Outer Close are the Great Kitchens (early 16th century) and later Army buildings. The Nether Bailey occupyies the lowest part of the castle rock. It houses 19th-century powder magazines.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.