Opened in 1996, the Gallery of Modern Art is housed in a neoclassical building in Royal Exchange Square in the heart of Glasgow city centre. Built in 1778 as the townhouse of William Cunninghame of Lainshaw, a wealthy Glasgow Tobacco Lord who made his fortune through the triangular slave trade, the building has undergone a series of different uses. It was bought in 1817 by the Royal Bank of Scotland who later moved onto Buchanan Street; it then became the Royal Exchange. Reconstruction for this use was undertaken by David Hamilton between 1827 and 1832 and resulted in many additions to the building, namely the Corinthian pillars to the Queen Street facade, the cupola above and the large hall to the rear of the old house.
Since its opening in 1996, the gallery has hosted several million visitors. It has a dedicated Education and Access studio, facilitating workshops and artists talks and in the basement a Learning Library. The building also contains a café, free Internet access terminals, multimedia, art, and general book-lending facilities. Exhibits include works by David Hockney, Sebastião Salgado, and Andy Warhol as well as Scottish artists such as John Bellany and Ken Currie.
The mirrored pediment on the exterior of the building is by artist Niki de Saint Phalle, entitled Tympanum (1996). Saint Phalle also installed the mirrored vestibule to the gallery.
In front of the gallery, on the Queen Street pavement, stands an equestrian statue of the Duke of Wellington sculpted by Carlo Marochetti in 1844. The statue usually has a traffic cone on its head; for many years the authorities regularly removed cones, only for them to be replaced. The jauntily placed cone has come to represent, particularly in tourist guidebooks, the city's light-hearted attitude to authority.
References:Rosenborg Palace was built in the period 1606-34 as Christian IV’s summerhouse just outside the ramparts of Copenhagen. Christian IV was very fond of the palace and often stayed at the castle when he resided in Copenhagen, and it was here that he died in 1648. After his death, the palace passed to his son King Frederik III, who together with his queen, Sophie Amalie, carried out several types of modernisation.
The last king who used the place as a residence was Frederik IV, and around 1720, Rosenborg was abandoned in favor of Frederiksborg Palace.Through the 1700s, considerable art treasures were collected at Rosenborg Castle, among other things items from the estates of deceased royalty and from Christiansborg after the fire there in 1794.
Soon the idea of a museum arose, and that was realised in 1833, which is The Royal Danish Collection’s official year of establishment.