Inchkenneth, ‘Kenneth’s Island’, is dedicated to Kenneth of Aghaboe, a contemporary of St Columba. However, no evidence survives for an early Christian monastery on the island. The present ruin is a rectangular chapel dating from the 1200s. In form it is like many medieval churches in the Highlands – small, sparsely lit and simply arranged.
The entrance was through a door at the west end of the north wall. Though now badly worn, it retains evidence of high-quality decoration. The interior, though, has very little architectural or sculptural adornment. A step down is all that marks the division between nave and chancel. The base of an altar and two aumbries (wall-cupboards) remain in the chancel. Projecting stones high up in the chancel may have been brackets for holy images or lamps.
In and around the chapel is a fascinating collection of monumental sculpture. The chapel itself houses eight grave-slabs carved in the distinctive West Highland style and dating from the 1300s to the 1500s. One bears the effigy of a cleric wearing a mitre – probably an abbot or bishop. On the south side of the chapel is a post-Reformation burial aisle housing a table-tomb with an effigy of a Maclean of Breolas. The headstone commemorates Dame Mary Macpherson, who married the Jacobite Sir John Maclean, 4th Baronet of Duart, whilst residing at James VII’s French court in exile in 1695.
The surrounding churchyard has a fine collection of memorials. They include an effigy of an armed man with a shield in one hand and a cannonball in the other, which probably dates from the 1600s.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.