Beguines are women who could not or did not want to enter a convent, but lived together as a community to support themselves. Around 1560 the beguinage outside the city walls of Mechelen was destroyed. The beguines re-established themselves inside the city walls, where the Large Beguinage (Groot Begijnhof) grew up. They bought up existing buildings and built new dwellings, which explains why the Large Beguinage is rather different in character from beguinages in other cities. Because of its typical Flemish character and unique architecture, the Large Beguinage was declared a UNESCO world heritage site.
Beguines and beguinages Beguinages were small towns within a town. They had their own bakery, brewery, nursing home, church and bleaching fields. Beguinages were founded in the time of the crusades. Many of the men who left on a crusade never returned, which resulted in a surplus of women: widows, orphans and women who failed to find a suitable husband. Going and living in a convent was one solution, but many convents only took aristocratic or well-to-do women. Women who didn't enter a convent for whatever reason, went to live together and together were able to sustain themselves. The main difference with convents was that the beguines did not take the life-long vows of poverty, obedience and chastity. So they were not tied to the beguinage for life, though most did live out their life there. Initially the church treated them as heretics, but gradually they were accepted on condition that they led a devout life. This was how beguinages in Flanders originated. A beguinage was headed up by a Grand Mistress, who was assisted in the organization and coordination of daily life by mistresses.
Rich, usually aristocratic beguines would build their own house or buy one in the beguinage. Less well-off beguines rented a room from these homeowners and took charge of the housekeeping. Beguines with no possessions were taken into small convents, usually founded by benefactors, to guarantee that prayers were said for the occupants or their deceased family member. Beguines in the convents had to work for their living, which is one reason lace-making became one of the most important activities in the seventeenth century. So the beguinage played a crucial role in Mechelen's lace industry.References:
Kroměříž stands on the site of an earlier ford across the River Morava. The gardens and castle of Kroměříž are an exceptionally complete and well-preserved example of a European Baroque princely residence and its gardens and described as a UNESCO World Heritage Site.
The first residence on the site was founded by bishop Stanislas Thurzo in 1497. The building was in a Late Gothic style, with a modicum of Renaissance detail. During the Thirty Years' War, the castle was sacked by the Swedish army (1643).
It was not until 1664 that a bishop from the powerful Liechtenstein family charged architect Filiberto Lucchese with renovating the palace in a Baroque style. The chief monument of Lucchese's work in Kroměříž is the Pleasure Garden in front of the castle. Upon Lucchese's death in 1666, Giovanni Pietro Tencalla completed his work on the formal garden and had the palace rebuilt in a style reminiscent of the Turinese school to which he belonged.
After the castle was gutted by a major fire in March 1752, Bishop Hamilton commissioned two leading imperial artists, Franz Anton Maulbertsch and Josef Stern, arrived at the residence in order to decorate the halls of the palace with their works. In addition to their paintings, the palace still houses an art collection, generally considered the second finest in the country, which includes Titian's last mythological painting, The Flaying of Marsyas. The largest part of the collection was acquired by Bishop Karel in Cologne in 1673. The palace also contains an outstanding musical archive and a library of 33,000 volumes.
UNESCO lists the palace and garden among the World Heritage Sites. As the nomination dossier explains, 'the castle is a good but not outstanding example of a type of aristocratic or princely residence that has survived widely in Europe. The Pleasure Garden, by contrast, is a very rare and largely intact example of a Baroque garden'. Apart from the formal parterres there is also a less formal nineteenth-century English garden, which sustained damage during floods in 1997.
Interiors of the palace were extensively used by Miloš Forman as a stand-in for Vienna's Hofburg Imperial Palace during filming of Amadeus (1984), based on the life of Wolfgang Amadeus Mozart, who actually never visited Kroměříž. The main audience chamber was also used in the film Immortal Beloved (1994), in the piano concerto scene.