Cleydael Castle is a moated castle in Aartselaar originally dating from the 14th century. The four towers are called Fox tower, Chapel tower, Owl tower and Cat tower. The castle was the home of the lords of Cleydael until the end of the 18th century. After being part of the golf course, it is now private property again.

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Founded: 14th century
Category: Castles and fortifications in Belgium

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4.4/5 (based on Google user reviews)

User Reviews

Viviane Philippens (3 years ago)
Dommage que se soit fermé le lundi. Avons été manger à 8 autre part!
J dR (3 years ago)
Goed restaurant en prachtig terrein.
Beatrice van de Weyer (4 years ago)
On a decide de jouer a cleydael. Arrive la, on a fait du practicesur un driving range absolument minable. Interdit d employer de bois ou de driver. Pour se reposer il y avait deux bancs plein de fiente d oiseaux. On a paye notre green fee tre cher au secretariat ou il y avait in personel apathique. Une porte de prison aplus de charisme. Partout des poubelles qui debordent de tousles cotes. On a commence a jouer. On a mis 5heures a nous deux. Partout il fallait attendre. Le terain etait archi plein.aucun bunker n etait ratisse alors que le "marshall " etait assis ecoutant son I pod au lieu de faire avancer les flights qui ralentissaient tout. Les greens avaient la grandeur de mouchoirs de poche et etaient couvert de moissure.apres on a quitte le terrain. Les pistolets de haute pression pour nettoyer les chaussures ne marchaient pas. On a pris une douche, pas de savon. Les douches ressemlaient a ceux que j avais chez les scouts! Pas de savon. Les toilettes puaient horriblement. Apres aon a mange dans le resto ou les serveurs etaient incompetents. Paye tres che. Mal mange. La vue sur le chateau est magnifique, mais ce nest pas pour ca qu on va jouer au golf. Puis on est rentre a bruxelles. Un bel exemple de terrain de golf avec mauvais management. Plus jamais
Frank Mangelschots (4 years ago)
Zeer mooie golfbaan
Patrick CLAEYS (5 years ago)
Cleydael Golfcourse is een zeer mooie baan met een goed restaurant men kan er dus een mooie dag van maken. De greens spijtig genoeg zijn echte maanlandschappen waardoor ik pars en bogeys miste, niet aanvaarbaar. Maar toch hadden we een mooie dag
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The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.

The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).

With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).

Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.

The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.

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Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.