Blutenburg Castle is an old ducal country seat in the west of Munich. The castle was built between two arms of the River Würm for Duke Albert III, Duke of Bavaria in 1438–39 as a hunting-lodge, replacing an older castle burned down in war. The origin of this castle is a moated castle of the 13th century. The core of this castle was a residential tower, the remains of which were uncovered in 1981. The fortress was first mentioned in writing only in 1432.
Albert's son, Duke Sigismund of Bavaria, ordered extensions of the castle beginning in 1488; he died here in 1501. The main building became derelict during the Thirty Years War, but was rebuilt in 1680–81. The castle is still surrounded by a ring wall with three towers and a gate tower. The defensive character of the castle, however, was with the reconstruction in 17th Century significantly reduced. The plant was already at that time no longer defensible.
Sigismund of Bavaria also ordered the construction of the palace chapel, a splendid masterpiece of late Gothic style which still has preserved its stained-glass windows, along with the altars with three paintings created in 1491 by Jan Polack. The cycle of the statues of the apostles on the side walls was built around 1490/95.
Since 1983 the International Youth Library (Internationale Jugendbibliothek) has been housed in Blutenburg Castle. The Blutenburg concerts are well known.References:
Royal Palace of Naples was one of the four residences near Naples used by the Bourbon Kings during their rule of the Kingdom of the Two Sicilies (1734-1860): the others were the palaces of Caserta, Capodimonte overlooking Naples, and the third Portici, on the slopes of Vesuvius.
Construction on the present building was begun in the 17th century by the architect Domenico Fontana. Intended to house the King Philip III of Spain on a visit never fulfilled to this part of his kingdom, instead it initially housed the Viceroy Fernando Ruiz de Castro, count of Lemos. By 1616, the facade had been completed, and by 1620, the interior was frescoed by Battistello Caracciolo, Giovanni Balducci, and Belisario Corenzio. The decoration of the Royal Chapel of Assumption was not completed until 1644 by Antonio Picchiatti.
In 1734, with the arrival of Charles III of Spain to Naples, the palace became the royal residence of the Bourbons. On the occasion of his marriage to Maria Amalia of Saxony in 1738, Francesco De Mura and Domenico Antonio Vaccaro helped remodel the interior. Further modernization took place under Ferdinand I of the Two Sicilies. In 1768, on the occasion of his marriage to Maria Carolina of Austria, under the direction of Ferdinando Fuga, the great hall was rebuilt and the court theater added. During the second half of the 18th century, a 'new wing' was added, which in 1927 became the Vittorio Emanuele III National Library. By the 18th century, the royal residence was moved to Reggia of Caserta, as that inland town was more defensible from naval assault, as well as more distant from the often-rebellious populace of Naples.
During the Napoleonic occupation the palace was enriched by Joachim Murat and his wife, Caroline Bonaparte, with Neoclassic decorations and furnishings. However, a fire in 1837 damaged many rooms, and required restoration from 1838 to 1858 under the direction of Gaetano Genovese. Further additions of a Party Wing and a Belvedere were made in this period. At the corner of the palace with San Carlo Theatre, a new facade was created that obscured the viceroyal palace of Pedro de Toledo.
In 1922, it was decided to transfer here the contents of the National Library. The transfer of library collections was made by 1925.
The library suffered from bombing during World War II and the subsequent military occupation of the building caused serious damage. Today, the palace and adjacent grounds house the famous Teatro San Carlo, the smaller Teatrino di Corte (recently restored), the Biblioteca Nazionale Vittorio Emanuele III, a museum, and offices, including those of the regional tourist board.