Blutenburg Castle is an old ducal country seat in the west of Munich. The castle was built between two arms of the River Würm for Duke Albert III, Duke of Bavaria in 1438–39 as a hunting-lodge, replacing an older castle burned down in war. The origin of this castle is a moated castle of the 13th century. The core of this castle was a residential tower, the remains of which were uncovered in 1981. The fortress was first mentioned in writing only in 1432.
Albert's son, Duke Sigismund of Bavaria, ordered extensions of the castle beginning in 1488; he died here in 1501. The main building became derelict during the Thirty Years War, but was rebuilt in 1680–81. The castle is still surrounded by a ring wall with three towers and a gate tower. The defensive character of the castle, however, was with the reconstruction in 17th Century significantly reduced. The plant was already at that time no longer defensible.
Sigismund of Bavaria also ordered the construction of the palace chapel, a splendid masterpiece of late Gothic style which still has preserved its stained-glass windows, along with the altars with three paintings created in 1491 by Jan Polack. The cycle of the statues of the apostles on the side walls was built around 1490/95.
Since 1983 the International Youth Library (Internationale Jugendbibliothek) has been housed in Blutenburg Castle. The Blutenburg concerts are well known.References:
Easter Aquhorthies stone circle, located near Inverurie, is one of the best-preserved examples of a recumbent stone circle, and one of the few that still have their full complement of stones. It consists of a ring of nine stones, eight of which are grey granite and one red jasper. Two more grey granite stones flank a recumbent of red granite flecked with crystals and lines of quartz. The circle is particularly notable for its builders' use of polychromy in the stones, with the reddish ones situated on the SSW side and the grey ones opposite.
The placename Aquhorthies derives from a Scottish Gaelic word meaning 'field of prayer', and may indicate a 'long continuity of sanctity' between the Stone or Bronze Age circle builders and their much later Gaelic successors millennia later. The circle's surroundings were landscaped in the late 19th century, and it sits within a small fenced and walled enclosure. A stone dyke, known as a roundel, was built around the circle some time between 1847 and 1866–7.