The Church of Our Lady (Frauenkirche) is undoubtedly the most famous landmark in the city of Munich. Its impressive domed twin towers rising a hundred metres into the sky can be seen from miles around. This triple-naved late-Gothic cathedral in Munich"s old quarter, which houses art treasures spanning five centuries, is the cathedral church of the Archbishop of Munich and Freising.
The late-Gothic brick edifice with its colossal saddleback roof, erected by Jörg von Hasbach between 1468 and 1488, towers over the other buildings in Munich"s old quarter. The Church of Our Lady is one of the largest hall churches in southern Germany. Despite its dimensions, it is the beauty and simplicity of the church which captivate its visitors. Inside there are many precious art treasures, such as the choir windows from the late 14th century which originate from the previous church, the figures of the apostles and prophets by Erasmus Grasser, and 18th century gilded reliefs by Ignaz Günther depicting scenes from the life of the Virgin Mary. The oldest tombs of the House of Wittelsbach are found in the royal vault under the choir, among them Emperor Ludwig the Bavarian and his sons.
The altars and the side altars, remodelled in the baroque style, are especially beautiful, as are the chapels which contain works by various artists, including van Dyck"s Christ on the Cross. Legend has it that the devil demanded the church be built without windows. When he went inside to inspect the building, he left behind a footprint in the entrance to the church. Thanks to an architectural illusion, no windows can be seen from the 'devil"s footprint' just inside the door, and the devil left satisfied. The towers house a total of ten bells with beautiful chimes, which are rung at different times throughout the day and on special occasions. The bells are amongst the most valuable and historical in Germany.
The Church of Our Lady has seating for 4,000 people and is always well attended. The south tower is open to the public. From the top, which can be reached either on foot or by lift, there is a splendid view of the city and the nearby Alps.References:
The Palace of the Kings of Navarre of Olite was one of the seats of the Court of the Kingdom of Navarre, since the reign of Charles III 'the Noble' until its conquest by Castile (1512). The fortification is both castle and palace, although it was built more like a courtier building to fulfill a military function.
On an ancient Roman fortification was built during the reign of Sancho VII of Navarre (13th century) and extended by his successors Theobald I and Theobald II, which the latter was is installed in the palace in 1269 and there he signed the consent letter for the wedding of Blanche of Artois with his brother Henry I of Navarre, who in turn, Henry I since 1271 used the palace as a temporary residence. This ancient area is known as the Old Palace.
Then the palace was housing the Navarrese court from the 14th until 16th centuries, Since the annexation (integration) of the kingdom of Navarre for the Crown of Castile in 1512 began the decline of the castle and therefore its practically neglect and deterioration. At that time it was an official residence for the Viceroys of Navarre.
In 1813 Navarrese guerrilla fighter Espoz y Mina during the Napoleonic French Invasion burned the palace with the aim to French could not make forts in it, which almost brought in ruin. It is since 1937 when architects José and Javier Yarnoz Larrosa began the rehabilitation (except the non-damaged church) for the castle palace, giving it back its original appearance and see today. The restoration work was completed in 1967 and was paid by the Foral Government of Navarre.