The Haus der Kunst is a non-collecting art museum constructed from 1933 to 1937 following plans of architect Paul Ludwig Troost as the Third Reich's first monumental structure of Nazi architecture and as Nazi propaganda. The museum was opened in 1937 as a showcase for what the Third Reich regarded as Germany's finest art. The inaugural exhibition was the Große Deutsche Kunstausstellung ('Great German art exhibition'), which was intended as an edifying contrast to the condemned modern art on display in the concurrent Degenerate art exhibition.
On 15 and 16 October 1939, the Große Deutsche Kunstausstellung inside the Haus der Deutschen Kunst was complemented by the monumental Tag der Deutschen Kunst celebration of '2,000 years of Germanic culture' where luxuriously draped floats (one of them carrying a 5 meter tall golden Nazi Reichsadler) and thousands of actors in historical costumes paraded down Prinzregentenstraße for hours in the presence of Adolf Hitler, Hermann Göring, Joseph Goebbels, Heinrich Himmler, Albert Speer, Robert Ley, Reinhard Heydrich, and many other high-ranking Nazis.
After the end of World War II, the museum building was first used by the American occupation forces as an officer's mess; in that time, the building came to be known as the 'P1', a shortening of its street address. The building's original purpose can still be seen in such guises as the swastika-motif mosaics in the ceiling panels of its front portico.
Beginning in 1946, the museum rooms, now partitioned into several smaller exhibition areas, started to be used as temporary exhibition space for trade shows and visiting art exhibitions. Some parts of the museum were also used to showcase works from those of Munich's art galleries that had been destroyed during the war. In 2002, the National Collection of Modern and Contemporary Arts moved into the Pinakothek der Moderne. Today, while housing no permanent art exhibition of its own, the museum is still used as a showcase venue for temporary exhibitions and traveling exhibitions.
References:Monte d"Accoddi is a Neolithic archaeological site in northern Sardinia, located in the territory of Sassari. The site consists of a massive raised stone platform thought to have been an altar. It was constructed by the Ozieri culture or earlier, with the oldest parts dated to around 4,000–3,650 BC.
The site was discovered in 1954 in a field owned by the Segni family. No chambers or entrances to the mound have been found, leading to the presumption it was an altar, a temple or a step pyramid. It may have also served an observational function, as its square plan is coordinated with the cardinal points of the compass.
The initial Ozieri structure was abandoned or destroyed around 3000 BC, with traces of fire found in the archeological evidence. Around 2800 BC the remains of the original structure were completely covered with a layered mixture of earth and stone, and large blocks of limestone were then applied to establish a second platform, truncated by a step pyramid (36 m × 29 m, about 10 m in height), accessible by means of a second ramp, 42 m long, built over the older one. This second temple resembles contemporary Mesopotamian ziggurats, and is attributed to the Abealzu-Filigosa culture.
Archeological excavations from the chalcolithic Abealzu-Filigosa layers indicate the Monte d"Accoddi was used for animal sacrifice, with the remains of sheep, cattle, and swine recovered in near equal proportions. It is among the earliest known sacrificial sites in Western Europe.
The site appears to have been abandoned again around 1800 BC, at the onset of the Nuragic age.
The monument was partially reconstructed during the 1980s. It is open to the public and accessible by the old route of SS131 highway, near the hamlet of Ottava. It is 14,9 km from Sassari and 45 km from Alghero. There is no public transportation to the site. The opening times vary throughout the year.