The Munich Residenz is the former royal palace of the Bavarian monarchs of the House of Wittelsbach. The Residenz is the largest city palace in Germany and is today open to visitors for its architecture, room decorations, and displays from the former royal collections.
The complex of buildings contains ten courtyards and displays 130 rooms. A wing of the Festsaalbau contains the Cuvilliés Theatre since the reconstruction of the Residenz after World War II. It also houses the Herkulessaal, the primary concert venue for the Bavarian Radio Symphony Orchestra. The Byzantine Court Church of All Saints at the east side is facing the Marstall, the building for the former Court Riding School and the royal stables.
he Munich Residence served as the seat of government and residence of the Bavarian dukes, electors and kings from 1508 to 1918. What began in 1385 as a castle in the north-eastern corner of the city, was transformed by the rulers over the centuries into a magnificent palace, its buildings and gardens extending further and further into the town.
The rooms and art collections spanning a period that begins with the Renaissance, and extends via the early Baroque and Rococo epochs to Neoclassicism, bear witness to the discriminating taste and the political ambition of the Wittelsbach dynasty.
Much of the Residence was destroyed during the Second World War, and from 1945 it was gradually reconstructed.References:
Easter Aquhorthies stone circle, located near Inverurie, is one of the best-preserved examples of a recumbent stone circle, and one of the few that still have their full complement of stones. It consists of a ring of nine stones, eight of which are grey granite and one red jasper. Two more grey granite stones flank a recumbent of red granite flecked with crystals and lines of quartz. The circle is particularly notable for its builders' use of polychromy in the stones, with the reddish ones situated on the SSW side and the grey ones opposite.
The placename Aquhorthies derives from a Scottish Gaelic word meaning 'field of prayer', and may indicate a 'long continuity of sanctity' between the Stone or Bronze Age circle builders and their much later Gaelic successors millennia later. The circle's surroundings were landscaped in the late 19th century, and it sits within a small fenced and walled enclosure. A stone dyke, known as a roundel, was built around the circle some time between 1847 and 1866–7.