Amorbach Abbey was one of four Carolingian foundations intended to establish Christianity in the region of the Odenwald. It is said to take its name from Amor, a disciple of Saint Pirmin, regarded as the founder. The abbey was consecrated in 734. By 800 it had become a Reichsabtei, the abbot being directly answerable to Charlemagne. Pepin united it to the Bishopric of Würzburg, although control of it was much disputed by the Bishops of Mainz.
The abbey played an important role in the clearing and settlement of the vast tracts of forest in which it was located, and in the evangelisation of other areas, notably Saxony: many of the abbots of the missionary centre of Verden an der Aller - later to become the Bishops of Verden - had previously been monks at Amorbach. It was severely damaged by the invasions of the Hungarians in the 10th century.
In 1525 the buildings were stormed and plundered during the German Peasants' War by forces under the command of Götz von Berlichingen. During the Thirty Years' War the abbey was attacked by the Swedes in 1632, was dissolved for a short time between 1632 and 1634 and the lands taken by a local landowner, and although it was afterwards restored and the lands regained, there followed a period of decline and poverty.
In 1656 the Bishops of Mainz and Würzburg reached agreement: Amorbach was transferred into the control, both spiritual and territorial, of the Archbishop of Mainz, and significant building works followed. In the 1740s the site was completely refurbished in the Rococo style, of which it remains a significant example, under the supervision of Maximilian von Welsch. Further extensive construction and decoration was undertaken in the 1780s, including in 1782 the installation of what was at the time the biggest organ in the world.
The patrons were the Virgin Mary, with Saints Simplicius, Faustinus and Beatrix.
The abbey was finally dissolved in 1803 and given with its lands as compensation for lost territories to the Princes of Leiningen, who still live there today. Jurisdiction over the abbey and its territories passed to the government of the Kingdom of Bavaria in 1816.References:
Fisherman's Bastion is a terrace in neo-Gothic and neo-Romanesque style situated on the Buda bank of the Danube, on the Castle hill in Budapest, around Matthias Church. It was designed and built between 1895 and 1902 on the plans of Frigyes Schulek. Construction of the bastion destabilised the foundations of the neighbouring 13th century Dominican Church which had to be pulled down. Between 1947–48, the son of Frigyes Schulek, János Schulek, conducted the other restoration project after its near destruction during World War II.
From the towers and the terrace a panoramic view exists of Danube, Margaret Island, Pest to the east and the Gellért Hill.
Its seven towers represent the seven Magyar tribes that settled in the Carpathian Basin in 896.
The Bastion takes its name from the guild of fishermen that was responsible for defending this stretch of the city walls in the Middle Ages. It is a viewing terrace, with many stairs and walking paths.
A bronze statue of Stephen I of Hungary mounted on a horse, erected in 1906, can be seen between the Bastion and the Matthias Church. The pedestal was made by Alajos Stróbl, based on the plans of Frigyes Schulek, in Neo-Romanesque style, with episodes illustrating the King's life.