Weikersheim Palace

Weikersheim, Germany

Weikersheim Palace (Schloss Weikersheim) was built in the 12th century, however the exact year is not known. The palace was the traditional seat of the princely family of Hohenlohe. In the 16th century, Count Wolfgang II inherited Weikersheim after a division of estates and made it his main home. He converted the moated castle into a magnificent Renaissance palace, whose splendid rooms have been preserved with their furnishings. Aside from the large chandelier and the Lambris painting added in the 18th century, the banqueting hall remains in its original state. Princess Elisabeth Friederike Sophie's audience room was known as the 'beautiful room' because of its exquisite furnishings.

The baroque interior and palace garden date from 1710. The garden in particular with its axial arrangement and many statues exemplifies the baroque style. A permanent exhibition on the theme of alchemy is on display in the former palace kitchen, enabling visitors to discover more about Count Wolfgang II von Hohenlohe and his alchemy laboratory. The double-winged, arcaded orangery from 1723 has a total length of just under 100 metres and marks the point where the palace garden takes over from the untamed surrounding nature. An elaborate series of sculpted figures adorns the garden at Weikersheim Palace. This 'garden kingdom' includes the four seasons, the four elements and the four winds, the gods of the planets around the Hercules fountain, a number of other classical gods and a 'court' of dwarfs.

The palace has been owned by the state of Baden-Württemberg since 1967 when the palace was bought from the estate of Prince Constantin von Hohenlohe, who had encouraged arts-related activities at the palace. Today the palace is home to the Jeunesses Musicales Germany during the summer and the Weikersheim Think Tank. It is also used for large gatherings and weddings.

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Details

Founded: 1586
Category: Palaces, manors and town halls in Germany
Historical period: Reformation & Wars of Religion (Germany)

Rating

4.5/5 (based on Google user reviews)

User Reviews

Katie Mc (4 months ago)
Rooms are absolutely stunning! Apparently according to the tour guide all the furniture (including the beds and chairs ) are all the originals from the castle. They've been restored to a fantastic standard!
Manuela Bussler-Sweeney (6 months ago)
We loved everything about this castle and it's gardens! Beautiful area!
Jamie (10 months ago)
Impressive palace for a relatively small, quaint town. Beautifully kept gardens to wonder around for just €1.80 concession. Worthwhile stop on the Romantic Road
Frank Duke III (11 months ago)
Very cool place! Beautiful view and gardens! Time we'll spent. RELAXING atmosphere and historical.
Justin Bunch (11 months ago)
A freak accident of history where the palace was built and then never used, giving us a glimpse back into time to the Renaissance and Baroque. The Renaissance hall is truly remarkable and impressive. Don't forget to enjoy the gardens set in the pastoral landscape of Franconia
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Porta Nigra

The Porta Nigra (Latin for black gate) is the largest Roman city gate north of the Alps. It is designated as part of the Roman Monuments, Cathedral of St. Peter and Church of Our Lady in Trier UNESCO World Heritage Site. The name Porta Nigra originated in the Middle Ages due to the darkened colour of its stone; the original Roman name has not been preserved. Locals commonly refer to the Porta Nigra simply as Porta.

The Porta Nigra was built in grey sandstone between 186 and 200 AD. The original gate consisted of two four-storied towers, projecting as near semicircles on the outer side. A narrow courtyard separated the two gate openings on either side. For unknown reasons, however, the construction of the gate remained unfinished. For example, the stones at the northern (outer) side of the gate were never abraded, and the protruding stones would have made it impossible to install movable gates. Nonetheless, the gate was used for several centuries until the end of the Roman era in Trier.

In Roman times, the Porta Nigra was part of a system of four city gates, one of which stood at each side of the roughly rectangular Roman city. The Porta Nigra guarded the northern entry to the Roman city, while the Porta Alba (White Gate) was built in the east, the Porta Media (Middle Gate) in the south, and the Porta Inclyta (Famous Gate) in the west, next to the Roman bridge across the Moselle. The gates stood at the ends of the two main streets of the Roman Trier, one of which led north-south and the other east-west. Of these gates, only the Porta Nigra still exists today.

In the early Middle Ages the Roman city gates were no longer used for their original function and their stones were taken and reused for other buildings. Also iron and lead braces were broken out of the walls of the Porta Nigra for reuse. Traces of this destruction are still clearly visible on the north side of the gate.

After 1028, the Greek monk Simeon lived as a hermit in the ruins of the Porta Nigra. After his death (1035) and sanctification, the Simeonstift monastery was built next to the Porta Nigra to honor him. Saving it from further destruction, the Porta Nigra was transformed into a church: The inner court of the gate was roofed and intermediate ceilings were inserted. The two middle storeys of the former gate were converted into church naves: the upper storey being for the monks and the lower storey for the general public. The ground floor with the large gates was sealed, and a large outside staircase was constructed alongside the south side (the town side) of the gate, up to the lower storey of the church. A small staircase led further up to the upper storey. The church rooms were accessible through former windows of the western tower of the Porta Nigra that were enlarged to become entrance doors (still visible today). The top floor of the western tower was used as church tower, the eastern tower was leveled, and an apse added at its east side. An additional gate - the much smaller Simeon Gate - was built adjacent to the East side of the Porta Nigra and served as a city gate in medieval times.

In 1802 Napoleon Bonaparte dissolved the church in the Porta Nigra and the monastery beside it, along with the vast majority of Trier"s numerous churches and monasteries. On his visit to Trier in 1804, Napoleon ordered that the Porta Nigra be converted back to its Roman form. Only the apse was kept; but the eastern tower was not rebuilt to its original height. Local legend has it that Napoleon originally wanted to completely tear down the church, but locals convinced him that the church had actually been a Gaulish festival hall before being turned into a church. Another version of the story is that they told him about its Roman origins, persuading him to convert the gate back to its original form.

In 1986 the Porta Nigra was designated a World Heritage Site, along with other Roman monuments in Trier and its surroundings. The modern appearance of the Porta Nigra goes back almost unchanged to the reconstruction ordered by Napoleon. At the south side of the Porta Nigra, remains of Roman columns line the last 100 m of the street leading to the gate. Positioned where they had stood in Roman times, they give a slight impression of the aspect of the original Roman street that was lined with colonnades. The Porta Nigra, including the upper floors, is open to visitors.