Heilsbronn Abbey was a Cistercian monastery at Heilsbronn founded in 1132–33 by Saint Otto of Bamberg. It was settled by monks from Ebrach Abbey, under the first abbot Rapotho. It was one of the wealthiest monasteries of Germany, with possessions around Franconia as far as Regensburg and in Württemberg. These rich endowments were mostly made by the dukes of Abenberg and their heirs, the Hohenzollern Burgraves of Nuremberg. It was the hereditary burial-place of the Hohenzollern family and ten burgraves of Nuremberg, five margraves and three electors of Brandenburg, besides many other persons of note, were buried here.
Heilsbronn was a flourishing monastery until the time of the Reformation. In 1530 Abbot John Schopper (1529–1540) founded a monastic school here, which later became a Protestant school for princes, and the doctrines of Luther gradually found favour in the monastery. His successor, Sebastian Wagner, openly supported Protestantism. He married and resigned in 1543. In 1549 Roman Catholicism was restored at Heilsbronn, but only ostensibly, and the abbey seems to have ceased to be a Catholic house in 1555, although it existed for some years longer. The last abbot who made any pretense to Catholic belief was Melchior Wunderer (1562–1578). The five succeeding abbots were Protestants, and in 1631 Heilsbronn ceased to be an abbey. Its valuable library was transferred to Erlangen.
The buildings of the monastery have mostly disappeared, with the exception of the fine church, known as Münster Heilsbronn, a Romanesque basilica, restored between 1851 and 1866, and possessing paintings by Albrecht Dürer.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.