Albrecht Dürer's House was the home of German Renaissance artist Albrecht Dürer from 1509 to his death in 1528. The House lies in the extreme north-west of Nuremberg's Altstadt, near the Kaiserburg section of the Nuremberg Castle and the Tiergärtnertor of Nuremberg's city walls.
The house was built around 1420. It has five stories; the bottom two have sandstone walls, while the upper stories are timber framed; the entire structure is topped by a half-hip roof. In 1501, it was purchased by Bernhard Walther, a merchant and prominent astronomer. Walter remodeled the house, adding small windows to the roof so that it could function as an observatory. Walther died in 1504, and Dürer purchased the house in 1509.
Since 1871 the Albrecht-Dürer-Haus has been a museum dedicated to Dürer's life and work. In a restoration of 1909, the large dormer on the east-facing roof was replaced. In October 1944, it took significant damage from Allied bombing. It was rebuilt by 1949, but did not reopen as a museum until 1971, Dürer's 500th birthday.
The museum features installations of period furnishings, a re-creation of Dürer's workshop in which visitors can view demonstrations of printmaking techniques, and rotating exhibitions of drawings and prints by Dürer from the City of Nuremberg's Graphic Collection. Visitors can also receive a guided tour of the house from an actress playing Agnes Dürer, the wife of the artist.References:
The Externsteine (Extern stones) is a distinctive sandstone rock formation located in the Teutoburg Forest, near the town of Horn-Bad Meinberg. The formation is a tor consisting of several tall, narrow columns of rock which rise abruptly from the surrounding wooded hills. Archaeological excavations have yielded some Upper Paleolithic stone tools dating to about 10,700 BC from 9,600 BC.
In a popular tradition going back to an idea proposed to Hermann Hamelmann in 1564, the Externsteine are identified as a sacred site of the pagan Saxons, and the location of the Irminsul (sacral pillar-like object in German paganism) idol reportedly destroyed by Charlemagne; there is however no archaeological evidence that would confirm the site's use during the relevant period.
The stones were used as the site of a hermitage in the Middle Ages, and by at least the high medieval period were the site of a Christian chapel. The Externsteine relief is a medieval depiction of the Descent from the Cross. It remains controversial whether the site was already used for Christian worship in the 8th to early 10th centuries.
The Externsteine gained prominence when Völkisch and nationalistic scholars took an interest in the late 19th and early 20th centuries. This interest peaked under the Nazi regime, when the Externsteine became a focus of nazi propaganda. Today, they remain a popular tourist destination and also continue to attract Neo-Pagans and Neo-Nazis.