Albrecht Dürer's House was the home of German Renaissance artist Albrecht Dürer from 1509 to his death in 1528. The House lies in the extreme north-west of Nuremberg's Altstadt, near the Kaiserburg section of the Nuremberg Castle and the Tiergärtnertor of Nuremberg's city walls.
The house was built around 1420. It has five stories; the bottom two have sandstone walls, while the upper stories are timber framed; the entire structure is topped by a half-hip roof. In 1501, it was purchased by Bernhard Walther, a merchant and prominent astronomer. Walter remodeled the house, adding small windows to the roof so that it could function as an observatory. Walther died in 1504, and Dürer purchased the house in 1509.
Since 1871 the Albrecht-Dürer-Haus has been a museum dedicated to Dürer's life and work. In a restoration of 1909, the large dormer on the east-facing roof was replaced. In October 1944, it took significant damage from Allied bombing. It was rebuilt by 1949, but did not reopen as a museum until 1971, Dürer's 500th birthday.
The museum features installations of period furnishings, a re-creation of Dürer's workshop in which visitors can view demonstrations of printmaking techniques, and rotating exhibitions of drawings and prints by Dürer from the City of Nuremberg's Graphic Collection. Visitors can also receive a guided tour of the house from an actress playing Agnes Dürer, the wife of the artist.References:
The Palazzo Colonna is a palatial block of buildings built in part over ruins of an old Roman Serapeum, and has belonged to the prestigious Colonna family for over twenty generations.
The first part of the palace dates from the 13th century, and tradition holds that the building hosted Dante in his visit to Rome. The first documentary mention notes that the property hosted Cardinal Giovanni and Giacomo Colonna in the 13th century. It was also home to Cardinal Oddone Colonna before he ascended to the papacy as Martin V (1417–1431).
With his passing, the palace was sacked during feuds, and the main property passed into the hands of the Della Rovere family. It returned to the Colonna family when Marcantonio I Colonna married Lucrezia Gara Franciotti Della Rovere, the niece of pope Julius II. The Colonna"s alliance to the Habsburg power, likely protected the palace from looting during the Sack of Rome (1527).
Starting with Filippo Colonna (1578–1639) many changes have refurbished and create a unitary complex around a central garden. Architects including Girolamo Rainaldi and Paolo Marucelli labored on specific projects. Only in the 17th and 18th centuries were the main facades completed. Much of this design was completed by Antonio del Grande (including the grand gallery), and Girolamo Fontana (decoration of gallery). In the 18th century, the long low facade designed by Nicola Michetti with later additions by Paolo Posi with taller corner blocks (facing Piazza Apostoli) was constructed recalls earlier structures resembling a fortification.
The main gallery (completed 1703) and the masterful Colonna art collection was acquired after 1650 by both the cardinal Girolamo I Colonna and his nephew the Connestabile Lorenzo Onofrio Colonna and includes works by Lorenzo Monaco, Domenico Ghirlandaio, Palma the Elder, Salviati, Bronzino, Tintoretto, Pietro da Cortona, Annibale Carracci (painting of The Beaneater), Guercino, Francesco Albani, Muziano and Guido Reni. Ceiling frescoes by Filippo Gherardi, Giovanni Coli, Sebastiano Ricci, and Giuseppe Bartolomeo Chiari celebrate the role of Marcantonio II Colonna in the battle of Lepanto (1571). The gallery is open to the public on Saturday mornings.
The older wing of the complex known as the Princess Isabelle"s apartments, but once housing Martin V"s library and palace, contains frescoes by Pinturicchio, Antonio Tempesta, Crescenzio Onofri, Giacinto Gimignani, and Carlo Cesi. It contains a collection of landscapes and genre scenes by painters like Gaspard Dughet, Caspar Van Wittel (Vanvitelli), and Jan Brueghel the Elder.
Along with the possessions of the Doria-Pamphilij and Pallavacini-Rospigliosi families, this is one of the largest private art collections in Rome.