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Founded: 1130Category: Religious sites in Germany
Historical period: Hohenstaufen Dynasty (Germany)
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St. Peter's Abbey on the Madron was a Benedictine monastery in Flintsbach. The church, now a pilgrimage church known as the Peterskirchlein, still stands on the site.
The Madron is a mountain known also as the Petersberg. It was occupied in ancient times, showing traces of Bronze Age settlement.
A poorly documented monastic foundation dating from sometime in the 8th century and settled by monks from St. Peter's Abbey in Salzburg was destroyed by the Hungarian invasion of the early 10th century. A supposed resettlement in about 955 by refugee monks from Wessobrunn Abbey is equally poorly evidenced.
In 1130 however the monastery, dedicated to Saint Peter, was definitely (re)founded by Count Siboto of Falkenstein and resettled by monks from Weihenstephan Abbey in Freising. The Counts of Falkenstein-Neuburg were also the abbey's Vögte (lords protector) and endowed it with a number of estates. They gave the abbey to the Bishop of Freising in 1163, but retained the office of Vogt. The monastery was destroyed in 1296 during a dynastic conflict, and never rebuilt. The site became from the 14th century a prebend for a canon of Freising Cathedral, part of whose responsibilities was to oversee the long-established pilgrimage here. It was dissolved in the secularisation of 1803.
The area for which the place had pastoral responsibility was extremely small, but against expectation, the church survived and became shortly afterward the centre of a renewed interest in the tradition of the pilgrimage. The church is today a well-known landmark on its mountain.
References:Royal Palace of Naples was one of the four residences near Naples used by the Bourbon Kings during their rule of the Kingdom of the Two Sicilies (1734-1860): the others were the palaces of Caserta, Capodimonte overlooking Naples, and the third Portici, on the slopes of Vesuvius.
Construction on the present building was begun in the 17th century by the architect Domenico Fontana. Intended to house the King Philip III of Spain on a visit never fulfilled to this part of his kingdom, instead it initially housed the Viceroy Fernando Ruiz de Castro, count of Lemos. By 1616, the facade had been completed, and by 1620, the interior was frescoed by Battistello Caracciolo, Giovanni Balducci, and Belisario Corenzio. The decoration of the Royal Chapel of Assumption was not completed until 1644 by Antonio Picchiatti.
In 1734, with the arrival of Charles III of Spain to Naples, the palace became the royal residence of the Bourbons. On the occasion of his marriage to Maria Amalia of Saxony in 1738, Francesco De Mura and Domenico Antonio Vaccaro helped remodel the interior. Further modernization took place under Ferdinand I of the Two Sicilies. In 1768, on the occasion of his marriage to Maria Carolina of Austria, under the direction of Ferdinando Fuga, the great hall was rebuilt and the court theater added. During the second half of the 18th century, a 'new wing' was added, which in 1927 became the Vittorio Emanuele III National Library. By the 18th century, the royal residence was moved to Reggia of Caserta, as that inland town was more defensible from naval assault, as well as more distant from the often-rebellious populace of Naples.
During the Napoleonic occupation the palace was enriched by Joachim Murat and his wife, Caroline Bonaparte, with Neoclassic decorations and furnishings. However, a fire in 1837 damaged many rooms, and required restoration from 1838 to 1858 under the direction of Gaetano Genovese. Further additions of a Party Wing and a Belvedere were made in this period. At the corner of the palace with San Carlo Theatre, a new facade was created that obscured the viceroyal palace of Pedro de Toledo.
In 1922, it was decided to transfer here the contents of the National Library. The transfer of library collections was made by 1925.
The library suffered from bombing during World War II and the subsequent military occupation of the building caused serious damage. Today, the palace and adjacent grounds house the famous Teatro San Carlo, the smaller Teatrino di Corte (recently restored), the Biblioteca Nazionale Vittorio Emanuele III, a museum, and offices, including those of the regional tourist board.