The settlement of Titamanninga was first mentioned about 790 AD, then a possession of St Peter's Abbey, Salzburg. After the Archbishops of Salzbug had achieved immediate status in the late 13th century, Tittmoning Castle was built as a border fortress against the incursions by the Dukes of Bavaria. The episcopal administrator of the castle and its environs was called burgrave, as was Ulrich von Wispeck in 1282. Tittmoning was occupied by the forces of the German king Louis the Bavarian during his conflict with the papacy in 1324; nevertheless, he restored it to the Salzburg archbishops three years later.
Temporarily given in pawn to Bavaria, the unlucky Prince-Archbishop Wolf Dietrich Raitenau had to cede the castle to the Bavarian duke Maximilian I in 1611; it was repurchased by his successor Archbishop Mark Sittich von Hohenems and rebuilt as a hunting lodge according to plans designed by Santino Solari. By the 17th century the castle had finally lost its character of a fortress and became the summer residence of the Prince-Archbishops. Upon the Congress of Vienna, the Rupertiwinkel region finally fell to the Kingdom of Bavaria and Tittimoning Castle, damaged by French troops during the Napoleonic Wars, passed under state-ownership.
In the early years of World War II the castle was used as a prisoner-of-war camp for officers, Oflag VII-D. British and American citizens were also interned there. Today Tittmoning castle is a museum.
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The ancient Argos Theater was built in 320 BC. and is located in Argos, Greece against Larissa Hill. Nearby from this site is Agora, Roman Odeon, and the Baths of Argos. The theater is one of the largest architectural developments in Greece and was renovated in ca 120 AD.
The Hellenistic theater at Argos is cut into the hillside of the Larisa, with 90 steps up a steep incline, forming a narrow rectilinear cavea. Among the largest theaters in Greece, it held about 20,000 spectators and is divided by two landings into three horizontal sections. Staircases further divide the cavea into four cunei, corresponding to the tribes of Argos A high wall was erected to prevent unauthorized access into the theatron and may have helped the acoustics, but it is said the sound quality is still very good today.
Around 120 CE, both theaters were renovated in the Roman style.