The Franciscan Church (Franziskanerkirche) is one of the oldest churches in Salzburg. The first church on this site was built in the eighth century during the time of Saint Virgil, who may have used it for baptisms. A document from 1139 mentions a parish church on this site. That church was destroyed by fire in 1167, together with five other churches, including the cathedral. Starting in 1208, the central nave of the church was built in the late-Romanesque style, making it among the oldest buildings in Salzburg. It was consecrated in 1221.
Between 1408 and 1450 Master Hans von Burghausen began work on the radiant Gothic choir to replace the Romanesque choir, which Stefan Krumenauer completed. A slender Gothic tower was added between 1468 and 1498. The church was dedicated to the Virgin Mary and served as the parish church until 1635. In 1670, the archbishop ordered the top of the church's tower removed because it was taller than the cathedral tower. The tower was later restored in 1866 in the neo-Gothic style by Joseph Wessiken. In the eighteenth century, the church interior was redesigned in the baroque style. The 'Rosary' of chapels behind the high altar date from the 16th century.
The church choir contains nine chapels decorated in baroque style by Johann Bernhard Fischer von Erlach in the eighteenth century. The chapel behind the high altar has a winged marble altar that dates from 1561. The High Altar (1709) by Fischer von Erlach is made of red marble and gold. The central Madonna statue on the winged altar dates from the Late Gothic period (1495-1498) and was sculpted by Michael Pacher of Tyrol. The staircase of the pulpit contains a marble lion from the 12th century standing over a man with a painful grimace on his face, pushing his sword into the belly of the lion. The triumphal arch holds frescoes by Conrad Laib.References:
Les Invalides is a complex of buildings containing museums and monuments, all relating to the military history of France, as well as a hospital and a retirement home for war veterans, the building"s original purpose. The buildings house the Musée de l"Armée, the military museum of the Army of France, the Musée des Plans-Reliefs, and the Musée d"Histoire Contemporaine, as well as the burial site for some of France"s war heroes, notably Napoleon Bonaparte.
Louis XIV initiated the project in 1670, as a home and hospital for aged and unwell soldiers: the name is a shortened form of hôpital des invalides. The architect of Les Invalides was Libéral Bruant. The enlarged project was completed in 1676, the river front measured 196 metres and the complex had fifteen courtyards. Jules Hardouin Mansart assisted the aged Bruant, and the chapel was finished in 1679 to Bruant"s designs after the elder architect"s death.
Shortly after the veterans" chapel was completed, Louis XIV commissioned Mansart to construct a separate private royal chapel referred to as the Église du Dôme from its most striking feature. Inspired by St. Peter"s Basilica in Rome, the original for all Baroque domes, it is one of the triumphs of French Baroque architecture. The domed chapel is centrally placed to dominate the court of honour. It was finished in 1708.
Because of its location and significance, the Invalides served as the scene for several key events in French history. On 14 July 1789 it was stormed by Parisian rioters who seized the cannons and muskets stored in its cellars to use against the Bastille later the same day. Napoleon was entombed under the dome of the Invalides with great ceremony in 1840. In December 1894 the degradation of Captain Alfred Dreyfus was held before the main building, while his subsequent rehabilitation ceremony took place in a courtyard of the complex in 1906.
The building retained its primary function of a retirement home and hospital for military veterans until the early twentieth century. In 1872 the musée d"artillerie (Artillery Museum) was located within the building to be joined by the Historical Museum of the Armies in 1896. The two institutions were merged to form the present musée de l"armée in 1905. At the same time the veterans in residence were dispersed to smaller centres outside Paris. The reason was that the adoption of a mainly conscript army, after 1872, meant a substantial reduction in the numbers of veterans having the twenty or more years of military service formerly required to enter the Hôpital des Invalides. The building accordingly became too large for its original purpose. The modern complex does however still include the facilities detailed below for about a hundred elderly or incapacitated former soldiers.