The three domes of the St. Michael’s Church are one of the most distinctive landmarks of Olomouc. This Baroque church was rebuilt from the original Gothic church and was consecrated probably in 1251. Outer walls and a vault at the end of the presbytery have been preserved of the original early Gothic building. The church was rebuilt into the current Early-Baroque form in 1673-1686 as proposed by G. P. Tencalla.
The single-nave structure with side chapels has a rich sculptural and painting decoration and is an example of the Baroque appeal aimed at the senses of the church-goers. The front face of the church is decorated with statues of the Virgin Mary and the Salvator Mundi by Ondřej Zahner and date from the 1830’s. A Gothic St. Alexei Chapel and a Gothic Cloister with cross vaulting adjoin the church building.
The interior was re-decorated in the Baroque style after the fire of 1709. In the years 1892-1898 the church underwent a Neo-Baroque reconstruction.References:
The Castle of Gruyères is one of the most famous in Switzerland. It was built between 1270 and 1282, following the typical square plan of the fortifications in Savoy. It was the property of the Counts of Gruyères until the bankruptcy of the Count Michel in 1554. His creditors the cantons of Fribourg and Bern shared his earldom. From 1555 to 1798 the castle became residence to the bailiffs and then to the prefects sent by Fribourg.
In 1849 the castle was sold to the Bovy and Balland families, who used the castle as their summer residency and restored it. The castle was then bought back by the canton of Fribourg in 1938, made into a museum and opened to the public. Since 1993, a foundation ensures the conservation as well as the highlighting of the building and the art collection.
The castle is the home of three capes of the Order of the Golden Fleece. They were part of the war booty captured by the Swiss Confederates (which included troops from Gruyères) at the Battle of Morat against Charles the Bold, Duke of Burgundy in 1476. As Charles the Bold was celebrating the anniversary of his father's death, one of the capes is a black velvet sacerdotal vestment with Philip the Good's emblem sewn into it.
A collection of landscapes by 19th century artists Jean-Baptiste-Camille Corot, Barthélemy Menn and others are on display in the castle.