The Château de Blandy-les-Tours was mentioned first time in 1216. It belonged to Adam II de Chailly, Viscount of Melun and consisted of a simple manor. The chapel was originally only stone building. In the 14th century, the castle was strongly modified with new fortifications: a moat was dug and a new gate-tower with a drawbridge was included in the enclosing wall. The kings Charles V (1364 - 1380) and Charles VI (1380 - 1422) financed the transformation into a castle for the successive owners of the castle, the counts de Tancarville Jean II and his grandson Guillaume IV. A high keep, defended by two drawbridges, was built. The curtain wall was modified by the addition of new towers. All these modifications took place during the Hundred Years' War.
However, the castle of Blandy-les-Tours was rebuilt in the 16th century by François II of Orleans. The castle consequently became a residence. The princess of Cleves married there in 1572 in the presence of the future Henry IV. But, the castle often changed owner and worsened gradually with various dwellings inside the enclosure.
After the 17th century restorations, the marshal de Villars, owner of the castle of Vaux-le-Vicomte, bought the land and the castle of Blandy. He decided to dismantle it and transformed it into a farm. The roofs were taken from the towers, the parapets were destroyed and the large gatehouse was dismantled.
In 1764, the castle was resold to the duke of Choiseul-Praslin, minister of Louis XV. In 1888, Pierre-Charles Tuot, the mayor of Blandy-les-Tours, bought it and gave it to the municipality, no building remains in the ruined enclosure. It became a Monument historique in 1889. In the 1970s, volunteer associations began the first works to restore the castle.
The keep of the castle is built as part of a hexagonal enclosure, around the castle chapel. It stands 35 m high inside a polygonal enclosure of 14th century round towers. In the courtyard are the remains of the Merovingian crypt. The castle of Blandy is a typical example of a 13th-century feudal fortress, later transformed into a great lordly residence in the style of the late 14th century. The enclosure holds 6 towers.
References:The Pilgrimage Church of Wies (Wieskirche) is an oval rococo church, designed in the late 1740s by Dominikus Zimmermann. It is located in the foothills of the Alps in the municipality of Steingaden.
The sanctuary of Wies is a pilgrimage church extraordinarily well-preserved in the beautiful setting of an Alpine valley, and is a perfect masterpiece of Rococo art and creative genius, as well as an exceptional testimony to a civilization that has disappeared.
The hamlet of Wies, in 1738, is said to have been the setting of a miracle in which tears were seen on a simple wooden figure of Christ mounted on a column that was no longer venerated by the Premonstratensian monks of the Abbey. A wooden chapel constructed in the fields housed the miraculous statue for some time. However, pilgrims from Germany, Austria, Bohemia, and even Italy became so numerous that the Abbot of the Premonstratensians of Steingaden decided to construct a splendid sanctuary.