Mathildedal is one of the three Teijo area ironworks villages. It offers all the elements of an idyllic environment: Wooden houses painted with traditional red paint, buildings of the ironwork, history, culture, nature and of course the living village itself.
The origins of Mathildedal ironworks go back to 1686. Mr Lorenz Creutz from Teijo was granted a right to build a forgery in Hummeldal.
In 1825 Mr Robert Bremer discovered ironstone in the ground starting the glory days for Hummeldal factory and the whole area. His son Viktor Zebor Bremer continued running the ironworks after him.
The last ironworks factory was established in Hummeldal in 1852 by Viktor Zebor Bremer and he renamed the village to Mathildedal after his wife Mathilda. The whole environment represents a typical 19th century ironworks milieu. And today the remaining buildings serve as a centre for cultural tourism.
The naturally beautiful area is the gateway to Archipelago. We offer a variety of occasions and services thoughout the year. The high class meeting and festival service guarantees a successful day with its cosy meeting room, tasty food and additional activities. For culture enthusiasts we have an exhibition of the old ironworks, guided tours, open air summer theater, concerts, art exhibitions and other events.
The colourful café Kyläkonttori & Puoti and the restaurant Ruukin Krouvi serve tasty delicacies for food lovers. Ruukin Kehräämö & Puoti is a lifestyle boutique specializing in knitted alpaca wool clothing. In Huldan Puoti you can make great findings among vintage and antiques.
Old factory buildings, friendly service and the park-like surroundings near the sea offer experiences, harmony and rugged beauty for all senses.References:
The Arch of Constantine is situated between the Colosseum and the Palatine Hill. It was erected by the Roman Senate to commemorate Constantine I's victory over Maxentius at the Battle of Milvian Bridge in 312. Dedicated in 315, it is the largest Roman triumphal arch. The arch spans the Via triumphalis, the way taken by the emperors when they entered the city in triumph.
Though dedicated to Constantine, much of the decorative material incorporated earlier work from the time of the emperors Trajan (98-117), Hadrian (117-138) and Marcus Aurelius (161-180), and is thus a collage. The last of the existing triumphal arches in Rome, it is also the only one to make extensive use of spolia, reusing several major reliefs from 2nd century imperial monuments, which give a striking and famous stylistic contrast to the sculpture newly created for the arch.
The arch is 21 m high, 25.9 m wide and 7.4 m deep. Above the archways is placed the attic, composed of brickwork reveted (faced) with marble. A staircase within the arch is entered from a door at some height from the ground, on the west side, facing the Palatine Hill. The general design with a main part structured by detached columns and an attic with the main inscription above is modelled after the example of the Arch of Septimius Severus on the Roman Forum.