Mathildedal is one of the three Teijo area ironworks villages. It offers all the elements of an idyllic environment: Wooden houses painted with traditional red paint, buildings of the ironwork, history, culture, nature and of course the living village itself.
The origins of Mathildedal ironworks go back to 1686. Mr Lorenz Creutz from Teijo was granted a right to build a forgery in Hummeldal.
In 1825 Mr Robert Bremer discovered ironstone in the ground starting the glory days for Hummeldal factory and the whole area. His son Viktor Zebor Bremer continued running the ironworks after him.
The last ironworks factory was established in Hummeldal in 1852 by Viktor Zebor Bremer and he renamed the village to Mathildedal after his wife Mathilda. The whole environment represents a typical 19th century ironworks milieu. And today the remaining buildings serve as a centre for cultural tourism.
The naturally beautiful area is the gateway to Archipelago. We offer a variety of occasions and services thoughout the year. The high class meeting and festival service guarantees a successful day with its cosy meeting room, tasty food and additional activities. For culture enthusiasts we have an exhibition of the old ironworks, guided tours, open air summer theater, concerts, art exhibitions and other events.
The colourful café Kyläkonttori & Puoti and the restaurant Ruukin Krouvi serve tasty delicacies for food lovers. Ruukin Kehräämö & Puoti is a lifestyle boutique specializing in knitted alpaca wool clothing. In Huldan Puoti you can make great findings among vintage and antiques.
Old factory buildings, friendly service and the park-like surroundings near the sea offer experiences, harmony and rugged beauty for all senses.
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Seville's cathedral, Santa Maria de la Sede, is the largest Gothic cathedral in the world, and is recognised as UNESCO World Heritage. After its completion in the early 16th century, Seville Cathedral supplanted Hagia Sophia as the largest cathedral in the world, a title the Byzantine church had held for nearly a thousand years.
The basilica occupies the site of the great Aljama mosque, built in the late 12th century by the Almohads, the ruling Moorish dynasty, of which the only remaining parts are the Patio de Naranjas, the Puerta del Perdon (on Calle Alemanes, on the north side), and the Giralda (formerly the minaret, now the belltower).
Shortly after Seville's conquest by Ferdinand III, the mosque was converted into the city's cathedral. Its orientation was changed and its spaces partitioned and adorned to suit Christian worship practices. The internal space was gradually divided into chapels by constructing walls in the bays along the northern and southern walls. Almost the entire eastern half of the cathedral was occupied by the royal chapel that would hold the bodies of Ferdinand, his wife and Alfonso the Wise.
In 1401, city leaders decided to build a new cathedral to replace the grand mosque that served as the cathedral until then. Construction continued until 1506. The clergy of the parish offered half their stipends to pay for architects, artists, stained glass artisans, masons, carvers, craftsman and labourers and other expenses. Five years after construction ended, in 1511, the crossing lantern, or cimborrio, collapsed and work on the cathedral recommenced. The crossing again collapsed in 1888 due an earthquake, and work on the dome continued until at least 1903.
The interior has the longest nave of any cathedral in Spain. The central nave rises to a height of 42 metres. In the main body of the cathedral, the most noticeable features are the great boxlike choir loft, which fills the central portion of the nave, and the vast Gothic retablo of carved scenes from the life of Christ. This altarpiece was the lifetime work of a single craftsman, Pierre Dancart.
The Capilla Mayor (Great Chapel), dominated by a vast Gothic retablo (altarpiece) comprised of 45 carved scenes from the life of Christ, as well as Santa Maria de la Sede, the cathedral's patron saint. The lifetime's work of a single craftsman, Pierre Dancart, this is the ultimate masterpiece of the cathedral - the largest and richest altarpiece in the world and one of the finest examples of Gothic woodcarving anywhere.
The Giralda is the bell tower of the Cathedral of Seville. Its height is 105 m. The Giralda is the former minaret of the mosque that stood on the site under Muslim rule, and was built to resemble the minaret of the Koutoubia Mosque in Marrakech, Morocco. It was converted into a bell tower for the cathedral after the Reconquista, although the topmost section dates from the Renaissance.
The tomb of Christopher Columbus is one of the main attractions of the cathedral for visitors, housing the remains of the great explorer who died in poverty in Valladolid. The tomb itself is more recent, from the 1892, with four bearers presenting the kingdoms of Castile, Leon, Aragon and Navarra.